The 50 best record sleeves of 2012
There's been a lot of great record sleeve design this year, and Art Vinyl have collected together a shortlist of 50 of the best vinyl artworks in a new exhibition in London.
Art Vinyl are showing 50 of the best sleeve designs of the year, in an exhibition at The St Martins Lane Hotel. In a bit of an X Factor twist, the public are also able to vote for their favourite designs from the shortlist, with a winner announced in January next year.
The exhibition is on until January 13, with the overall winner being announced on January 10. Scroll down to see a selection of our favourite covers from the shortlist.
Clock Opera - Ways To Forget
Art director: Richard Robinson, Photographer: Mads Perch
Carter Tutti Void - Transverse
Design by Chris Carter and Cosey Fanni Tutti
Young Magic - Melt
Design by Leif Podhajsky
White Lung - Sorry
Design by Justin Gradin
Saint Etienne - Words and Music
Map by Dorothy. Design by Paul Kelly
Peace - Delicious
Design by Sam Coldy Studio
Four Tet - Pink
Design by Jason Evans and Tazelaar Stevenson
Flying Lotus - Until The Quiet Comes
Art Direction by Stephen Serrato with B+. Photography by B+ with Dan Kitchens. Graphic Design by Stephen Serrato
Grimes - Visions
Design by Mark Khair
Laurel Halo - Quarantine
Design by Optigram. Artwork by Makoto Aida
Mark Lanegan Band - Blues Funeral
Design by Alison Fielding
Matthew Dear - Beams
Painting by Michael Cina
Ital - Hive Mind
Design by Sam Chirnside
The Antlers - Undersea
Design by Darby Ciccy
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here.
CR In print
In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham's Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE's identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic's ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.
The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
LOVE the young magic cover. and matthew dear. album covers are in a good place.
The Grimes one seems an odd choice. It borrows pretty heavily from the design that Sacred Bones have been using for all their releases for years http://www.sacredbonesrecords.com/releases/sbr077/
the clock opera one is amazing - i want the print of this on my wall!
Top record covers are consistently chosen based on people's favorite records, rather than the actual record covers. This looks like a list of Creative Review's favorite records of the year.
|Ads of the Week (1)|
|Provocative ad campaign to raise awareness of US hunger (4)|
|Is Apple redefining luxury? (4)|
|Conversation my arse (6)|
|Made Thought rebrands G.F Smith (36)|