The digital ghosts of Street View
Cheshire Street, London: the image of a man as displayed on Street View, on the right, is pasted up at the same location, on left. Street View, here
In pasting up life-size images of people found on Google Street View in the same locations they were originally taken, artist Paolo Cirio's Street Ghosts offers an interesting take on the notion of publicly displayed but privately-held data...
214 Lafayette Street, New York. Street View from 2009, here
Cirio's practice has involved browsing notable places for street art on Street View in order to find, he says, "the most visible people on spooky buildings with walls available for art interventions". Having found a suitable subject, Cirio then creates a colour poster of the figure from the screengrab, and pastes it up in the same location as the original image as taken by one of Google's camera cars.
"As the publicly accessible pictures are of individuals taken without their permission, I reversed the act," Cirio explains on streetghosts.net. "I took the pictures of individuals without Google's permission and posted them on public walls. In doing so, I highlight the viability of this sort of medium as an artistic material ready to comment and shake our society."
Ebor Street, London. Street View from 2008, here
Cirio chooses to focus on geographical areas where street art is prevalent as these sites reframe illegal activity as public art – just as Google's disseminating of an individual's image online, without their permission, is seemingly lawful. (As the image above shows, Google's facial blurring algorithms do not always seem to work.)
"The obscure figures fixed to the walls are the murky intersection of two overlain worlds," Cirio continues on his site. "The real world of things and people, from which these images were originally captured, and the virtual afterlife of data and copyrights, from which the images were retaken."
Since its launch in 2007, Street View has proved to be a rich source for artists and photographers – see the work of Michael Wolf, Jon Rafman and Doug Rickard – both for the richness of its frequently bizarre imagery, and its existence as a focal point for issues concerning the crossover of the public and private realm.
Cirio explains his artistic intentions in more detail at streetghosts.net, with more examples from Berlin, London and New York at his plus.google.com/photos page. Cirio's website is paolocirio.net. Via Nick Asbury on @asburyandasbury.
Dircksenstraße / Rochstraße, Berlin. Street View from 2008, here
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
In our October print issue we have a major feature on the rise of Riso printing, celebrate the art of signwriting, examine the credentials of 'Goodvertising' and look back at the birth of D&AD. Rebecca Lynch reviews the Book of Books, a survey of 500 years of book design, Jeremy Leslie explains how the daily London 2012 magazine delivered all the news and stories of the Games and Michael Evamy explores website emblemetric.com, offering "data-driven insights into logo design". In addition to the issue this month, subscribers will receive a special 36-page supplement sponsored by Tag celebrating D&AD's 50th with details of all those honoured with Lifetime Achievement awards plus pieces on this year's Black Pencil and President's Award-winners Derek Birdsall and Dan Wieden. And subscribers also receive Monograph which this month features Rian Hughes' photographs of the unique lettering and illustration styles of British fairgrounds
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
EXCELLENT idea. Love this
Haha, might have to go and look for some of these. Clever idea.
I'm sorry, but this is just plain stupid. This is the lowest form of "street art", which is itself pretty low. Blowing up a pixelated photo and pasting it life-size? For what? And it's not even in the same location, it's up against the wall. They should have at least created a free-standing cardboard cutout so it casts a shadow.
You're right. Street Art is definitely lacking some detailed shadow work. F#cking hell Banksy. Sort it out son!
Isn't that Damien Bellon when he worked at Mother?
Since when is vandalism acceptable as art? Unless the property owner has given permission to deface their property, scribbling or pasting things on a wall is still a crime and in most cases, ugly. Beauty and art are subjective, yes, but tagging is still essentially equivilent to dogs urinating on fence posts, marking what doesn't belong to them!
You usually post great stuff. On this one, I'm not sure. However, if you don't make a mistake every now and then you'd be playing too safe, right? Thanks for keeping us posted.
A very interesting post on the street photo, thanks for the info.
This is pretty cool stuff.. web imitates life.. which then imitates web in turn
|A passport to Albion (38)|
|Provocative ad campaign to raise awareness of US hunger (5)|
|Ads of the Week (2)|
|Our CR Annual Client of the Year: Airbnb (5)|
|Are you earning the right amount? (59)|