Jessica Susan Higgins started Museums Press in 2009. Her very first publication, Museums I, was a 50-page, 12-inch-square format book featuring artwork from numerous artists from around the world that was housed in a pizza box along with a 32-page comic, a 22-song tape, and a set of three screenprinted posters
A new book attempts to show how the ad industry can help make the world a better place through more ‘Goodvertising’
Creating London 2012’s daily magazine was no easy task, but publishers Haymarket put in a gold medal performance
What has the most impact, a symbol or a written logotype? A new website (and book) might help designers decide
The Book of Books charts 500 years of innovation in print, from the Nuremberg Chronicle to Irma Boom
Things get a bit trippy in this week’s round up of the best new music videos, with pyschedelic shapes, some charming animated creatures, and a bullfight in slow motion…
A former creative director of the Target retail chain is leading a rebrand of the San Francsico area Goodwill, the US social enterprise organisation which helps people back into work
Earlier this evening the ICA in London staged the inaugural Information is Beautiful Awards, a celebration of the best work in data visualisation and infographics. Here are the winning projects from the night
The Typo conference series, which originated in Berlin, returns to London this year on October 19 and 20, and we have five pairs of tickets to give away…
In pasting up life-size images of people found on Google Street View in the same locations they were originally taken, artist Paolo Cirio’s Street Ghosts offers an interesting take on the notion of publicly displayed but privately-held data
A group of art and design activists has acquired a billboard in the centre of Manchester and is using it to show a different artist’s work each month as part of the recently-launched Print & Paste project
Under Neville Brody’s presidency, D&AD is undergoing some important changes to the way it’s run and what it hopes to achieve. Will they be enough to reinvigorate an organisation which marked its 50th year last week?
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music