We speak to WeTransfer creative director Matt Skibiak about collaborating on Jungle’s new visual album, and how the experience fed into its own brand campaign which peeks behind the curtain of the creative process
Illustrations and typography enhance the soft drink’s first global brand identity, which aims to bring consistency to its designs around the world
A leaf blower was used to create the windswept expressions in the airline’s new campaign to promote its rapid check-in service
The illustrator talks about her love of joyful imagery and hiding surprise details in her work, plus why she has chosen to specialise in editorial commissions
Do art and design universities have a responsibility to drive social purpose or is it a distraction for students? We hear from UAL’s chief social purpose officer Polly Mackenzie, designer Sana Iqbal, and LJMU programme leader Pete Thomas
We hear from the brand’s long-time collaborator JKR about why they leant into both high and low culture when bringing its new brand world to life
Whether he’s photographing a political rally, a plastic surgeon at work or a celebrity, Sinna Nasseri’s images are close up and intimate. Gem Fletcher profiles his work
To mark its 25th anniversary, Vermont venue Higher Ground has released a book which delves into its rich history of one-off concert poster designs
Textural photography and minimal illustrations have been developed to “invigorate” the historic pottery brand’s visitor attraction
Much of Eva Cremers’ career so far has been spent building fun 3D worlds for kid’s brands. Here, she discusses why she’s determined to keep challenging perceptions and pushing the boundaries of her practice
This ridiculous but brilliant campaign is here to remind everyone of Pot Noodle’s core offering: that it fills a hole when you’re hungry
The latest talk in our virtual event series aims to help brands navigate the world of typography and fonts, with contributions from DixonBaxi, Omse, and Why Fonts Matter author Sarah Hyndman
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music