Design

The Design selection from this year’s Illustration Annual contains work from Si Scott, Noma Bar, and Christopher Jennings

Editorial

The Editorial selection from this year’s Illustration Annual contains work from Jane Laurie, Seb Jarnot and Dan Stafford

Personal

The Personal selection from this year’s Illustration Annual contains work from David Sparshott, Ben Newman and Rebecca Strickson

Beyond our world and back again

Science fiction often suffers from a problem of perception but a new show at the British Library reinforces its cultural importance

It’s Nice That 6

The sixth instalment of It’s Nice That looks to be a cracker and includes features on Lawrence Weiner, Marion Deuchars, Keith Haring and cover-star, George Lois

Degree shows 2011: Brighton Illustration

B is for Brighton. We always look forward to Brighton’s Illustration degree show as the college seems to have a knack for producing talented graduates…

Artsmart 2011

Opening on Friday at Chelsea College of Art and Design, the inaugural artsmart two-dayer is billed as an art and design market where work from graduates of the University of the Arts London will be on sale. There’s also an extensive events programme

By the cool and breezy river

The River Thames has wound its way through a century of London Transport advertising, linking the city’s past with its future

Degree Shows 2011: Farnham, Cambridge, Edinburgh

Last weekend, the Truman Brewery in London hosted the final Free Range round-up of photography BA (Hons) degree shows. Here is our pick of the work from Cambridge School of Art: Anglia Ruskin University; University for the Creative Arts, Farnham; and Edinburgh Napier University.

Tony Brook on Wim Crouwel

He’s collected original Wim Crouwel posters for years. Now Tony Brook is the co-curator of the Design Museum’s current exhibition on the Dutch graphic designer which runs until July 3…

The Art of the Factory

For his new project, Err, artist Jeremy Hutchison contacted various factories around the world, and asked if one of their workers would produce an ‘incorrect’ version of the product they make every day: in doing so, the functional objects became artworks.

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Image: Shutterstock

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