Claude d’Avoine on getting to grips with a brand’s DNA
Frieze’s head of design talks to CR about how working in-house helps him get to the heart of a brand and align its creative output
Frieze’s head of design talks to CR about how working in-house helps him get to the heart of a brand and align its creative output
Acquiring Detroit studio Gunner has revolutionised how the language learning app approaches animation. Duolingo tells CR why bringing the business in-house was the right decision
A series of books published by Taschen approaches men’s magazines with a historical lens and also tracks the wider societal changes alongside their evolution. We talk to the series author about the value in examining this history
In a bid to become “more assertive and opinionated”, the fashion label has launched a new visual identity, using an experimental logotype and suite of illustrations created by Malika Favre
There is definitely no one-size-fits-all for in-house teams, but here are some principles for success to draw on, put together by the In-House Agency Leaders Club
Directed by Thierry Albert – aka Albert Albert – the video for new track Tense was shot entirely on smartphones, and offers a cautionary view on living life through a phone lens
Brand purpose is out and celebs and bawdy humour are in, as the Super Bowl ads try and lighten everyone’s mood
CR speaks to the founders of We Are Warriors, the first Australian platform of its kind created to celebrate “Blak excellence and the next generation”
Ahead of Super Bowl LVII on Sunday, two creatives are putting your NFL questions to bed with a series of explainers inspired by vintage cards, which star a charming range of fast food characters
Created by Ingo The Agency, the straightforward campaign highlights how Al-Futtaim Ikea in the UAE has not changed the prices of its furniture despite rising inflation
A new initiative from health brand Otrivin and ad agency Wunderman Thompson Singapore uses filters to capture pollution by-products and turn them into pencils for Indian schoolchildren
Under new chief creative officer Daniel Lee, the fashion house has revealed a refreshed design identity that centres on its British heritage. Is it more than just a rebuke of minimal fashion branding?