Max Bill: Five Decades
An exhibition of artist and designer Max Bill’s work opens at Annely Juda Fine Art next week, the first solo show of the Swiss polymath’s work in London for thirty years
An exhibition of artist and designer Max Bill’s work opens at Annely Juda Fine Art next week, the first solo show of the Swiss polymath’s work in London for thirty years
The London Transport Museum’s Serco Prize for Illustration was won by Anne Wilson with Winding through the City. Illustrators were asked to create an image featuring the River Thames
Yes, it’s back: E4 and Creative Review invite you once again to leave our flabber completely gasted with your amazing talent. Make a sting for E4 and you could get your work on air as well as win £2,500
Perfect Fools’ latest interactive Converse installation features 480 individually powered Chuck Taylor All Stars, each acting as a pixel in a giant screen
Spanish directing team Canada adopt the quick-fire editing of their earlier work for a new video for Battles, employing ice cream, paint and naughtiness in the process
Asked to find a way to inject some interest into an everyday interaction, Bath student Sophie Kemp came up with a novel method of making the giving and receiving of money more memorable
The long stretch of windows fronting the Wellcome Trust in London plays host to a series of installations: the latest is an interactive light piece by rAndom International
New website Brand Toys uses market research data to visualise attitudes towards brands around the world: this little fella, for example, represents how Coca-Cola is seen in India
The best work from July includes Wallpaper’s handmade issue, Transport for London’s tube campaign, and Youtube’s ‘Life in a Day’ project,
One again, Wallpaper* magazine is offering subscribers and non-subscribers alike the chance to design their own cover for its August issue using a nifty online app…
Cadbury’s has released the latest spot in its Glass and a Half Full Productions film series for Dairy Milk. The new ad sees various items of clothing in a charity shop burst into a choreographed piece of dance once the shop has closed.
Comedian Stewart Lee is somewhat sceptical of social media. He doesn’t do “the tweets”. His face isn’t on Facebook. Here, quite possibly, is why