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Drawing on a background in user interfaces for electronics brands, ustwo has emerged as a leader in app design
Polish graphic artist Roman Cieślewicz worked on both sides of the Cold War divide, but was driven by a single desire to communicate
Why the forthcoming Tron Legacy is not a film but an ‘entertainment property’ that has ‘repurposed assets’ to create its own highly lucrative ‘storyworld’
D&AD’s New Blood is huge. And hot. Very hot. But it’s well worth it. So here are the some of the best projects I saw when I went round on the last day
Swedish pop star Robyn has launched a 3D video, complete with Twitter integration, for her delightfully titled new track, Don’t Fucking Tell Me What To Do…
A selection of the year’s most inspiring work in illustration from a range of artists including Claire Scully, Darren Hopes and Julian Vallée.
So the Cannes Lions advertising festival is all over for another year… but who carried away the coveted golden Lions? And what do they reveal about the current state of the ad industry?
This rather nice piece of stop frame animation from We Are Plus aims to demonstrate the potential of classroom white boards
Last week CR helped to judge D&AD’s Best New Blood. Here’s a selection of what the judges thought were the best pieces on show this year, all of which can be seen at The Old Truman Brewery
London’s Science Museum has been steadily transforming itself over the past few years in order to appeal to a wider audience. This month a new identity for the institution was unveiled by johnson banks that aims to build on that momentum
In September, Emerge returns to showcase some of the best work by this year’s graphic design graduates as part of the London Design Festival. And there’s still time to upload your work to their website to be considered for the show
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing