In Greek mythology, Kheiron (‘hand’ in Greek), was a healer (‘skilled with hands’) who sacrificed his immortality. Hands are a primary interface with the world, the means to touch, shape and create. These images are narratives based on themes of tactility, representation and sensation…
Barnbrook’s identity for the 17th Biennale of Sydney features contrasting typefaces and a modular construction system
When your work looks great, you want people to see it. But how you show it off could make all the difference. A new book looks at the art of designing a brilliant portfolio
In an extract from his new book, copywriter Simon Veksner offers advice on how best to put your ad portfolio together, now that creative directors have gone digital-crazy
Students at the London College of Communication can work for a year as part of a course that gets them out into the real world. It’s great for them – and the industry
Traveling experiences from students from the London College of Communication
As London’s School of Communication Arts relaunches this September, it hopes to offer its students a taste of the new advertising landscape. There’s still time to apply…
When your work looks great, you want people to see it. But how you show it off could make all the difference. A new book looks at the art of designing a brilliant portfolio
Two recent attempts to repackage the ad industry for the small screen have resulted in high drama and woeful comedy
Pick Me Up, London’s new graphic art fair, was a hands-on, inky-fingered success, reckons James Pallister, but will it have a lasting impact?
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing