Joining Forces

Photorealistic CGI is a great problem-solving tool but can it be used in a more creative way? We decided to conduct an experiment: take six illustrators and designers with a handcrafted aesthetic and ask them to collaborate with six leading CGI studios. Each pair was asked to create one new image

Clambering around over sharp rocks

Metahaven’s uncompromising new book analyses the condition of corporate identity today. It’s an angular, awkward and exhilarating ride

Behind the new look iPlayer

  The BBC iPlayer is one of the organisation’s biggest success stories of recent years. But just two and half years since its launch, a redesign is making it more in-tune with the way people engage with broadcast media… “We had to work out how to incorporate new elements without alienating the users. When we […]

Thing vs other thing!

We spotted bearded men pitched against muscle-bound freaks, a cowboy taking on a snake, He-Man vs Skeletor, and even a boy scout facing death. These are just some of the subjects of Jack Teagle’s paintings, prints, sculptures and drawings exhibited at the artist’s solo show at Nobrow’s new Shoreditch gallery space…

Old Blood makes way for New Blood

After the reaction to last year’s campaign for its New Blood event, D&AD has taken a different tack with its latest promotional work. The posters still feature prominent members of the creative community, but each is depicted at the point of ending it all: the quality of the New Blood on the horizon proving too much to bear

Super good, Superbien

Projection mapping is a lovely thing to behold and this new installation by French team, Superbien, is certainly no exception

European Design Festival

The European Design Festival starts today in Rotterdam, supported by a range of material by Studio Dumbar intended to recall the visual language of protest movements

The Distant Hours

Andersen M Studio recently completed another darkly beautiful stop-frame animation on a literary theme. The Distant Hours promotes the new novel of the same name by Kate Morton, for PanMacmillan

The Big Caption

Noted on kottke.org, The Big Caption is an irreverent companion to The Boston Globe’s Big Picture website. Essentially, it takes some often fairly serious news photography and slaps some comedic type right over the top

Feedback

We’ve now done three issues with the redesign – time to take stock…

Outline Editions: London show and pop-up store

Outline Editions has commissioned a selection of leading British image makers – including James Jarvis (his Sphere With Block II, shown, above), Anthony Burrill, Supermundane, Kate Moross and LIzzie Finn – to each create a new image, inspired by the city of London…

17th Biennale of Sydney identity

Barnbrook in London has produced a modular identity (and a rather lovely looking catalogue) for the 17th Biennale of Sydney which is currently running in the Australian city until August 1…