The Design Council has published its latest survey of the UK design industry. Numbers of designers have grown nearly a third since 2005, are 60% male, 93% white and most likely to be 38 years old
Telecoms company Cable & Wireless has recently ‘demerged’ to form two separate businesses. Elmwood has designed the new brand identity for Cable & Wireless Communications, which launches today.
Finnish artist Klaus Haapaniemi has illustrated new covers for Patrick Süskind’s two classic novels from the 1980s, Perfume and The Pigeon
This identity for Miami’s Dorsch Gallery (by Bellamy Studio) utilises three ubiquitous typefaces rarely seen in print projects: Arial, Courier New, and Times…
Thanks to Slumdog Millionaire, the Mumbai slum of Dharavi is now world-famous. Photographer Adam Hinton and agency This is Real Art have created an online portrait of a remarkable place
Here’s the latest selection of work that has delighted us at CR Towers of late. First up is this charming website created by Johnny Kelly and Matthew Cooper in collaboration with Spanish agency Soon In Tokyo for Barcelona design school Elisava…
Evian continues the baby mania in this new print campaign from BETC Euro RSCG in Paris…
As part of its Be Stupid campaign, Diesel has posted a catalogue-cum-music video online, featuring fans of the brand sourced via social media networks…
Next week Will Sweeney takes his weird world of organic cartoon tomfoolery to The Lazy Dog gallery in Paris. There’s also a new book to accompany the exhibition
Seb Lester’s latest print, Blazing, is, apparently, an invertible ambigram…
Online shop and design studio Present&Correct is currently offering up books that its founder, Neal Whittington, has collected with front covers by Dutch illustrator Dick Bruna…
New York studio Triboro’s Subway map evokes the rigid grid of the city’s layout, but also its chaotic nature at the same time: it’s printed only in fluorescent red
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music