An interview with Philippe Apeloig

Writer Ayse Kongur met French graphic designer Philippe Apeloig pictured, photographed by Christian Lartillot) at his studio in Paris. In this first part of her interview (the second will appear in the March issue of Creative Review) she asks ‘Why did you become a graphic designer?’

February 2010: Philippe Apeloig

The poster has become a sadly neglected medium in Britain, particularly where graphic designers are concerned. Envious glances are cast across the Channel where our European neighbours seem, despite the competing attrac­tions of digital media, to find continued value in this most powerful of graphic forms. Particularly in France, it seems, there remains the opportunity for graphic designers to base a large proportion of their practice on creating powerful posters for cultural institutions. Philippe Apeloig has made the most of this opportunity.

Spot your Adland favourites

Mark Denton and Seth Watkins co-directed this charming film to promote the Creative Circle Annual. See if you can list all the classic ad references…

3D printing for animation?

There has been a lot of talk about the possible applications for 3D printing, but Johnny Kelly’s new TV titles are the first time we’ve seen it used in animation

Can you kick ass in six frames?

Film magazine Little White Lies has just launched an interesting creative brief: reimagine your favourite film as a six frame comic book story. The best mini-strips will then be featured in the next issue

Pick Me Up at Somerset House

Coming to the neo-classical surroundings of London’s Somerset House in April is Pick Me Up, a new contemporary graphic art fair

CR Readers Panel

CR are looking for readers to take part in a new monthly feature in the magazine, where YOU crit the work