Polish-born Leeds-based graphic designer Nina Hunter feels that the world of design is still one dominated by men and, in an attempt to redress the balance, has set up a new “female-centric” creative agency in Leeds called LoveLife Design…
Subscribers to CR can use the packaging that the February issue comes in to grow their own tomatoes
Last Thursday the minute hand of the Doomsday Clock, the metaphorical clock that monitors how near humanity is to catastrophic destruction, was moved back one minute to six minutes to midnight. Pentagram marked the event in print
Sid Lee has been garnering praise for ad work for brands including adidas, Red Bull and Cirque du Soleil. But who exactly is he?
Meet Elliot Urcuhuaranga, designer of our January cover, which was created at his family print shop just outside Lima, Peru
The 2010 issue of Matador magazine – the beautifully produced annual magazine published by La Fábrica – is devoted to celebrating the city of Barcelona…
If you have any art you don’t want, or perhaps want to see that art transformed into another kind of art, then over at the South London gallery there’s a giant Art Bin for your needs, courtesy of artist Michael Landy
Our January cover was created in Lima, Peru by Eliot Urcuhuaranga. In this film, he explains the unique graphic culture that it references
Giacomo Brunelli’s haunting photographic series, The Animals, is set to be exhibited in London for the first time this February
The February issue hits the newsstands and subscribers’ doormats this week – with a cover designed by Montreal, Paris and Amsterdam-based creative agency, Sid Lee…
Always wondered what typeface you are? Now Pentagram can help give you an answer…
Jeans brands love a manifesto. Diesel has a new one, which is a call to arms to, um… Be Stupid.
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing