In a quirky marketing move, the Tate has created a couple of teaser films of two forthcoming art books: Peter Blake’s ABC and 600 Black Spots, a pop-up book by David Carter (shown). Cute, yes – but viral? Probably not…
Our very own graduate show, featuring work from the six creative talents profiled in the current issue, has just opened at the Mother agency in London. Why not take Tom Lovell’s advice (shown) and cheer youself up by popping in…
Pre-order the second printed installment of great creative work selected by the It’s Nice That boys and you’ll get a lovely Rob Ryan print thrown in as well (detail shown). Issue two features a huge range of work that INT has featured on its website from UVA, George Hardie, Sam Messenger, and Wilfrid Wood…
Here’s a selection of the great ads, music video and films that have passed through CR Towers lately. First up, Postman Pat stars in the latest Specsavers ad…
Continuing our graduate theme, Michael Johnson asks whether the degree show is the most effective way for aspiring designers to show their wares while James McNulty looks at the changing nature of the ad creative’s ‘book’
To provoke a second glance, Noma Bar expertly uses negative space: his illustrations are formed of both a single image and a series of themed elements that give the final piece its shape
Fresh from a successful event in Singapore, CR’s Click conference goes to New York for a day of digital creativity on 1 October. With one month to go, there’s still time to book your place…
Tying in with our current graduate issue, our latest QoTW asks what kind of things students need to bring to the workplace that they might not have learned in college…
In our special graduate issue, we feature the work of a small but perfectly formed selection of this year’s creative graduates. We’ve also canvassed their opinions on their education and their hopes and dreams for the coming years. And if that wasn’t enough, we’ve invited all of them to show their work at Mother’s new gallery space
In our special graduate issue, we feature the work of a small but perfectly formed selection of this year’s creative graduates. We’ve also canvassed their opinions on their education and their hopes and dreams for the coming years. And if that wasn’t enough, we’ve invited all of them to show their work at Mother’s new gallery space
In our special graduate issue, we feature the work of a small but perfectly formed selection of this year’s creative graduates. We’ve also canvassed their opinions on their education and their hopes and dreams for the coming years. And if that wasn’t enough, we’ve invited all of them to show their work at Mother’s new gallery space
In our special graduate issue, we feature the work of a small but perfectly formed selection of this year’s creative graduates. We’ve also canvassed their opinions on their education and their hopes and dreams for the coming years. And if that wasn’t enough, we’ve invited all of them to show their work at Mother’s new gallery space
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing