In our special graduate issue this month, we feature the work of a small but perfectly formed selection of this year’s creative graduates. We’ve also canvassed their opinions on their education and their hopes and dreams for the coming years. And if that wasn’t enough, we’ve invited all of them to show their work at Mother’s new gallery space
Olympus has very kindly donated a new Olympus Pen e-p1 camera (worth £700) for this month’s Gallery prize.
The French photography festival may be 40 this year but, as Rick Poynor finds, it can yet surprise
Thanks to Innocent, chatty label copy has become ubiquitous. But imitators beware: it’s not so easy
In the first of his new monthly columns, Jeremy Leslie asks what makes a magazine a magazine?
Guy Bird explains the enduring importance of Subway Art, a 25 year-old photography book, now re-issued
Since I bought my own screen-printing equipment last year, my flat has been a mess of rough prints and colour tests. Some I’ve kept and some have been lost to the recycling bin.
An unusual show is currently taking place at the Jerwood Space in London: three artists have taken over the gallery and, starting from nothing, have been building an exhibition over the past month. The catalogue for the show, designed by The Partners, is similarly experimental…
Creatives are always being asked for a ‘big idea’, but what does that really mean?
CR subscribers’ issues this month come packaged in a card envelope that can be easily made into a folder for holding copies of Monograph. It is the first in a series of special Creative Review packaging solutions that will explore different materials and concepts, all developed for us by cyberpac.co.uk
We’ve steadily been adding content from back issues of CR to the website: all of the content from 2007 is now up and available to view…
The September issue of CR is all about this year’s graduates. We have given all our feature space over to eight eager, fresh-faced young creative types yearning to make their mark
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing