Ryan McGinley in London
Opening this evening at Alison Jacques Gallery in London is a new exhibition of artworks by Ryan McGinley…
Opening this evening at Alison Jacques Gallery in London is a new exhibition of artworks by Ryan McGinley…
The Mayor of London, in his infinite wisdom, has decided that the city needs re-branding. In just seven weeks. And there’s no pitch fee…
A new film on the art of the US rock poster reveals a healthy resurgence in this historic artform. Mark Sinclair talks to the director of American Artifact
T.A.G ad agency in San Francisco has created another epic film for Halo 3: ODST….
It’s a new QOTW and we want to know whether our readers are bloggers too. Is everyone at it, or is there always a time and a place? If you blog, why do you do it? What do you blog about?
Onedotzero arrives at the BFI Southbank for its annual stint of screenings and talks on Wednesday…
In a quirky marketing move, the Tate has created a couple of teaser films of two forthcoming art books: Peter Blake’s ABC and 600 Black Spots, a pop-up book by David Carter (shown). Cute, yes – but viral? Probably not…
Our very own graduate show, featuring work from the six creative talents profiled in the current issue, has just opened at the Mother agency in London. Why not take Tom Lovell’s advice (shown) and cheer youself up by popping in…
Pre-order the second printed installment of great creative work selected by the It’s Nice That boys and you’ll get a lovely Rob Ryan print thrown in as well (detail shown). Issue two features a huge range of work that INT has featured on its website from UVA, George Hardie, Sam Messenger, and Wilfrid Wood…
Here’s a selection of the great ads, music video and films that have passed through CR Towers lately. First up, Postman Pat stars in the latest Specsavers ad…
Continuing our graduate theme, Michael Johnson asks whether the degree show is the most effective way for aspiring designers to show their wares while James McNulty looks at the changing nature of the ad creative’s ‘book’
To provoke a second glance, Noma Bar expertly uses negative space: his illustrations are formed of both a single image and a series of themed elements that give the final piece its shape