Screen-printed notebook
Since I bought my own screen-printing equipment last year, my flat has been a mess of rough prints and colour tests. Some I’ve kept and some have been lost to the recycling bin.
Since I bought my own screen-printing equipment last year, my flat has been a mess of rough prints and colour tests. Some I’ve kept and some have been lost to the recycling bin.
An unusual show is currently taking place at the Jerwood Space in London: three artists have taken over the gallery and, starting from nothing, have been building an exhibition over the past month. The catalogue for the show, designed by The Partners, is similarly experimental…
Creatives are always being asked for a ‘big idea’, but what does that really mean?
CR subscribers’ issues this month come packaged in a card envelope that can be easily made into a folder for holding copies of Monograph. It is the first in a series of special Creative Review packaging solutions that will explore different materials and concepts, all developed for us by cyberpac.co.uk
We’ve steadily been adding content from back issues of CR to the website: all of the content from 2007 is now up and available to view…
The September issue of CR is all about this year’s graduates. We have given all our feature space over to eight eager, fresh-faced young creative types yearning to make their mark
Publicis has created a new Malibu campaign to bring new life to the drink brand’s slogan ‘Get Your Island On’
For the launch of mirrorfootball.co.uk, which includes an archive of The Mirror’s football photography, Delaney Lund Knox Warren have created a series of 48 sheet posters using some classic images of players from ten UK teams…
“As a designer, you can’t sell your soul, because what else have you got?” asks Peter Saville
The current issue of Creative Review focuses on a month in the life of Michael C Place/Build. As part of the piece, we asked Michael to cite an important influence on him as a young designer. His answer: Underground, an independent music magazine that ran for 13 issues from 1987. We tracked down its art director, Rod Clark to find out more about the magazine.
Vince Frost went through “hassle and hell” in setting up his studio in Sydney, he tells Mark Sinclair
New York’s Commonwealth enjoy collaborating with some of graphic design’s brightest talent to create unique objects