Get Me Out Of Here

Jeremy Leslie thinks that Disappear Here, James Brown and Peaches Geldof’s new venture into youth publishing has a great name. Unfortunately that isn’t enough to detract from its empty editorial and confused design…

Advertising: The new sadism

Why is advertising so fixated with pain? Well, it’s something that everyone can understand, argues Gordon Comstock

Get me out of Here

James Brown and Peaches Geldof’s new venture into youth publishing has a great name but, writes Jeremy Leslie, this isn’t enough to detract from its empty editorial and messy design

Plenty to chew on

In crEATe, The Future Laboratory examines the complex
relationship between food and design. Clem Halpin tucks in

Love logo

Suburbia’s Lee Swillingham reveals the thinking behind the logo for Condé Nast’s glamorous new title

Spin: PROA identity

Spin has created the identity for leading Buenos Aires art museum, PROA

Bollywood posters

Inspiration can be found in the strangest of places

Esquire’s New Cover Star: Morph

Following the recent death of the wonderful TV presenter and artist Tony Hart, one of his most famous creations, Morph, is to appear on the cover of the March issue of Esquire. And he finally has some clothes

Electronic Examiner c. 1981

This clip from a 1981 news broadcast from San Francisco’s KRON channel heralds the arrival of the consumption of news via home computer. The San Francisco Examiner, along with eight other US newspapers, was able to deliver the text of each daily edition via a basic computer network. David Cole, a staffer on the SFE, conveys what this breakthrough was like and, interestingly, hints at some issues that still occupy media companies today: “This is an experiment. We’re trying to figure out what it’s going to mean to us, as editors and reporters and what it means to the home user. And we’re not in it to make money, we’re probably not going to lose a lot, but we aren’t going to make much either.” (Via: Design Observer).