“That’s no moon. It’s a space station.”

Can we take Obi-Wan’s word on this one? Sadly not, as it seems that Star Wars fan Michael Horn is in fact behind the short film, Death Star Over San Francisco, which he created for Imperial Fleet Week (we’re not sure either) in San Francisco. According to Horn, who is interviewed on the official starwars.com blog, “I shot everything on my junkie DV camera, did motion-tracking and comping in After Effects, and basic sound design in Final Cut.” (Thanks to Coudal’s blog for the original link).

Vilhelm Hammershøi and the Poetry of Silence

The first ever UK retrospective of the work of Vilhelm Hammershøi is showing at the Royal Academy of Arts in London until 7 September writes Katya Kan and features over seventy paintings by the Danish artist. Hammershøi’s works are famed for conveying an atmosphere of equanimity and mystery: therapeutic by nature, his paintings almost lull the viewer into an absent-minded daze…

Somers Town – A movie or an experiment in brand communication?

Stills from Somers Town, directed by Shane Meadows, produced by Mother Vision for Eurostar
Somers Town, the new movie by Shane Meadows, director of the acclaimed This Is England, opens across the UK next week. On the surface it looks like a typically British movie, a gritty tale of urban life and friendship set on the streets near King’s Cross Station. However there is something that sets this film apart, and it comes from how it was developed, and, more keenly, how it was funded

James Jarvis at NikeTown

James Jarvis’ window display at NikeTown in London. Photo by his dad
Brightening up this decidedly gloomy summer is illustrator James Jarvis’ new installation at NikeTown in London. A giant bird features in his window display for the Oxford Street store while, inside the foyer, there’s also an eight-panel vinyl artwork with the same avian character donning his Nike Windrunner jacket (click through for pics)…

Creative Futures Bursary Project: Roel Wouters

For almost 20 years, Creative Review has been encouraging the next generation of talented creatives through our annual Creative Futures scheme in which we celebrate the promise of a selection of emerging talent in visual communications.
This year’s crop of Futures were selected by the CR editorial team – our only criteria were to find indiv­iduals or teams who we feel have an extremely bright future ahead of them and who are indicative of the future direction of the industry.
Just before Christmas, each of our selected Futures gave a talk at one of three Creative Futures events. We invited everyone coming along to the talks to bring a piece of work with them – an image, some text, even a piece of music. We then asked each of our Futures to produce a new piece of work responding to the experience of being selected for the scheme, giving their talk and to the work brought along. These projects were funded by a bursary provided to each Future by CR and PlayStation. Over the next week or so we will be posting up the resulting pieces of work plus documentaries on each Future, made for us by Fallon…

A New Vitra.com

Just over a month ago, Vitra, purveyor of some of the finest furniture around, had a uniquely uninspiring website. To those with an interest in product design, well aware of the Vitra name (and what they sell) its online presence – at a hefty ten years old – was begin­ning to show its age. No longer…

Bobby’s Burger Palace

Pentagram’s new identity for Bobby’s Burger Palace in Lake Grove, Long Island.
Conveniently, each word in the name has six letters: sandwich them together and,
rather nicely, you get two buns, a burger (and some lettuce)
Burgers. They’ve been getting a bit of a bad press recently. So it’s nice to see a design studio having a decent pop at designing an identity for a range of burger restaurants, which, these days, could be thought of as a potentially healthy-eating (ahem) hot potato. But Pentagram has firmly grasped the buns here, so to speak, with its bright and bold identity work for celebrity chef Bobby Flay’s Burger Palace. To us it’s indicative of the time when chomping responsibly on the odd burger was supposed to be fun. Well at Bobby’s it clearly is, and Pentagram look to have made the experience a little more enjoyable…

Tube Philosophies

We came across this image today, taken recently at London’s King’s Cross station. While it’s nice to think that London Underground sanction this kind of freedom of expression in their employees, we believe it might be the work of artist Jeremy Deller. The artist had apparently been set to collaborate with LU staff on a series of pieces as part of the wider Art on the Underground programme, as Tamsin Dillon, head of the project explains in the current issue of CR: “Jeremy has come up with a booklet of quotes by the famous and not-so-famous and staff will be invited to use those in their communications with customers.” So, if this is Deller’s work, then there may be more underground philosophising to come. Keep ’em peeled.

Nice Work

Adidas Olympics campaign by 180 Amsterdam. Creatives: Dean Maryon, Paulo Martins, Carlos Furnari. Photographer: Gus Powell
As the September issue of Creative Review is a student work special, featuring our favourites from this year’s crop of graduates, we were unable to put our usual amount of great new work in the magazine. Instead, we will be putting up posts of new work regularly online over the next few weeks. Here is the first, featuring some of the best advertising that has passed through CR Towers lately. First up, in honour of the Olympics, here is some print work from 180 Amsterdam for Adidas.

Love Stories

In a body of work created especially for Monograph, Canadian illustrator and designer Marian Bantjes created a series of love stories about the important people in her life

Creative Futures Bursary Project: Aries Moross

For almost 20 years, Creative Review has been encouraging the next generation of talented creatives through our annual Creative Futures scheme in which we celebrate the promise of a selection of emerging talent in visual communications.
This year’s crop of Futures were selected by the CR editorial team – our only criteria were to find indiv­iduals or teams who we feel have an extremely bright future ahead of them and who are indicative of the future direction of the industry.
Just before Christmas, each of our selected Futures gave a talk at one of three Creative Futures events. We invited everyone coming along to the talks to bring a piece of work with them – an image, some text, even a piece of music. We then asked each of our Futures to produce a new piece of work responding to the experience of being selected for the scheme, giving their talk and to the work brought along. These projects were funded by a bursary provided to each Future by CR and PlayStation. Over the next week or so we are posting up the resulting pieces of work plus documentaries on each Future, made for us by Fallon. Here are two new pieces of work by Kate Moross…

Barnbrook Asks Designers To Remember Tibet

As the Beijing Olympics opening ceremony gets under way, designers Jonathan Barnbrook and Pedro Inoue are urging the creative community to make its voice heard at website Remember Tibet. But do such projects ever achieve anything other than to make the contributors feel better about themselves? CR asked Barnbrook about his aims for the site…