Tensions rise in a windswept spot for Emmerdale’s 50th anniversary
A hurricane tears through a giant cake modelled on the Emmerdale village, taking the cast of the show with it, in a dramatic film directed by Matt Rhodes
A hurricane tears through a giant cake modelled on the Emmerdale village, taking the cast of the show with it, in a dramatic film directed by Matt Rhodes
QSL (Do You Confirm Receipt of My Transmission?) is a new book from publisher Standards Manual that looks at the beautiful and varied designs of ham radio users’ unique call cards
Used to help translate the real world into the digital realm, skeuomorphs should be abandoned in Web3 and the metaverse instead be a place where anything goes, says Rick Chant, ECD and co-founder at We Are Pi
We meet the minds behind the weird, wondrous world constructed to embody the group’s second album in six months, Return of the Dream Canteen
New York Times photography editor Jeffrey Henson Scales and ‘unofficial’ Panthers photographer Stephen Shames share the stories behind a pair of new photo books dedicated to the political organisation
Walter’s Sydney Ducks series features cryptic, strangely fascinating images, blending 2D and 3D elements in his trademark “idiosyncratic, maximalist” aesthetic
Robot Food created a lifestyle brand-inspired new look for the range of THC and CBD-infused products, as it looks to bring cannabis into the mainstream
It can be tempting for brands to halt their marketing spend in an economic downturn. Yet a better approach would be to invest in the wider brand experience, says Wolff Olins’ Wayne Deakin
The late British photographer is being celebrated in an exhibition at the Photographers’ Gallery in London, which seeks to contextualise his life and work
Set against a power ballad backdrop, the spot follows Virgin Media’s new bovine mascot as she speeds along on her motorbike
There’s no bells and whistles to the juice company’s new branding, which uses uber-minimalism to emphasise natural benefits
We speak to the co-founders of the Solander Collection about the process of putting together their new exhibition and book, plus why there is no ‘definitive’ creative history