The Design Conference That Is Helping House The Poor

From this to this: Design Indaba’s 10×10 project will move 100 township families out of shacks (pic: Yasser Booley) and into well-designed houses like this
Design Indaba, the Cape Town-based creative conference, has brought together ten of the world’s top architects and designers to help tackle South Africa’s housing crisis. The likes of David Adjaye, Thomas Heatherwick, Tom Dixon and Shigeru Ban have each worked with a local partner to design a street of ten homes to be built in the Mitchell’s Plain township. CR was there to see the first house going up

More Obama Posters

Pro-Obama poster by Sam Flores
CR blog readers may recall we posted up two posters designed by Shephard Fairey of Obey in support of Barrack Obama earlier this year. Well, more of Barack’s graphically-able supporters are rallying to the cause – thanks to a collaboration between pro-Obama volunteer group, The 008, and San Francisco store, Upper Playground…

Bulldog clips: the new fingers?

On the left, last year’s preferred design photo style (by Michalt Slawek) looks as though it may have been ousted by a new preference for the bull dog clip
Just over a year ago we posted on the trend for designers to shoot their work as if held up in front of their faces – or at least their friends’ faces. Now, it seems, those familiar fingers are being replaced by the humble bulldog clip as design’s photography style du jour…

Marcus Tomlinson: Form show

A duratran image from Marcus Tomlinson’s current Paris show, Form
Photographer and filmmaker Marcus Tomlinson’s latest exhibition is currently running at the Galerie Patricia Dorfmann in Paris. Form features a series of duratran images and also a film that Tomlinson worked on with London-based studio, Glassworks, which is made up of some 3,500 still pictures.

Philip Jones Griffiths: 1936 to 2008

The battle for District 8 in Saigon in May 1968 produced many civilian casualties. This woman hit by helicopter rocket fire was helped by a nervous South Vietnamese soldier.
We learned with great sadness over the weekend of the death of the pioneering Magnum photojournalist Philip Jones Griffiths (read The Guardian’s obituary here
Jones Griffiths’ searing portraits of the carnage and misery of the Vietnam war helped turn public opinion against military action. Last year we reported on a lecture given by Jones Griffiths in which he drew parallels with the present conflict in Iraq and urged today’s photojournalists to bear witness to what he termed ‘the American Empire on the rampage”. You can read that report in full here

Nice work

Cadbury’s Creme Egg ad, agency: Publicis London, director: Chris Cairns, production company: Partizan
Here’s a bumper Easter-style crop of great new advertising work that we’ve been sent at Creative Review recently, starting with a new Creme Egg spot from Chris Cairns at Partizan for Publicis London. The spot acts as a finale for Cairns’ recent series of ads for the super-sweet chocolate snack, which saw the eggs dramatically strip themselves of their foil before gleefully committing suicide in a variety of inventive ways. In this one, we find a crowd of eggs participating in a cult-like mass goo-icide, to hilarious effect.

Her Holographic Majesty

If you find yourself in the Brick Lane area of London some time before March 23, light artist Chris Levine’s spectacular Stolenspace show is well worth a visit. Her Maj has never looked funkier.

A New Map Of The World

Barrett Lyon’s map of the internet from 2003, The Opte Project
MoMA’S Design and the Elastic Mind show reveals design’s role in mapping the digital frontiers of today’s world. By HUGH ALDERSEY-WILLIAMS
Throughout the 17th and 18th centuries, explorers would return from their voyages describing new places and new wonders they had seen. Each time, cartographers would publish what was routinely termed ‘a new map of the world‘. We tend to think the job is done today. But new maps of the world are appearing faster than ever – and they look like nothing ever seen before.
The new maps are often not geographic but informatic, describing regions that lie one way or another beyond the visual. When human experience becomes too complex to hold in the memory, we strive to create memorable images of that experience. It is thought that musical notation was devised at just the point when people had created more music than could be simply remembered. Likewise, maps were not important until people’s horizons expanded beyond their locality. It’s the same now, except that our need is to picture vast banks of data, information flows, and regions of space beyond the scale of human imagining.

Coversourcing: the winner

After over 300 entries and 20,000 votes, Hans van Brooklyn’s Ants (above) has been chosen as the UK cover for Crowdsourcing in the Coversourcing competition.
Here’s what the judges thought…

The People Behind Those Biblical Google Earth Images

Moses Parting the Red Sea, from God’s Eye View, a series of scenes from the Bible re-imagined via Google Earth. All works by The Glue Society, unless otherwise stated
The Glue Society, the company behind God’s Eye View, a series of images that re-imagine key scenes from the Bible as if captured on Google Earth (which caused something of a stir on the CR blog at the end of last year) was ten years old last month. This is their story.

Andrei Tarkovsky: Film and Painting

Over a 25 year period, Russian filmmaker Andrei Tarkovsky made just seven feature films and three student shorts, yet his cinematic work stands out as one of the most significant contributions to moving image history. In films such as Solaris, Mirror and Andrei Rublev, Tarkovsky dealt thematically with the notion of memory, childhood and dreams and became a master of the long, unedited shot and distinct formalistic approach to filmmaking. Many studies of his work have also observed the links between his films and the visual arts. Black Dog Publishing is behind a new, comprehensive volume dedicated to his life’s work and we have an exclusive extract to present here on the CR blog. The following essay, by Mikhail Romadin (the art director on Solaris), looks at the relationship between Tarkovsky’s films and painting.

Tipping “Pot”

New from AKQA and director Dom Bridges is this excellent spoof of the most expensive ad ever created – Guinness’ Tipping Point. In the remake, lighters, fags, phones, cones, wheelie bins and fridges all contribute to the domino rally, resulting in, no, not a pint of the black stuff, but a warming Pot Noodle. While the action has moved from rural Argentina to two housing estates in Kilburn and Gospel Oak, north London, the self-satisfaction (and no doubt, budget) of the original has also been well and truly left behind. And yes, as with all the cast, the dialogue at the end is that of a “real” person, not an actor. Oh dear Matthew…