Kavi Pujara’s photos retrace his steps back to Leicester
The photographer’s latest project, This Golden Mile, sees him return to the city in which he grew up
The photographer’s latest project, This Golden Mile, sees him return to the city in which he grew up
Interbrand strategist and Paralympian Anna Johannes discusses how disability has to stop being an afterthought in the design process, and why creatives need to spend more time talking to disabled people
Dan Wieden, who has died aged 77, had an enormous influence on modern advertising, inspiring generations of creatives, and devising advertising work that infiltrated global culture. We look back at his life and work
The director and animatronics designer behind Harry Potter and the latest Jurassic World film discusses how he found his creative niche, plus why he loves making ads
Well-intentioned ads featuring scenes of disaster are not enough to change people’s minds. The industry needs to do a better job on climate change, says Ben Kay
The Icelandic imagemaker talks about his friendship with Björk, the process of building a visual underworld for her 10th studio album, Fossora, and the parties that inspired it
Disenfranchised by the design industry’s obsession with the new, MacGuffin’s founders use each issue to shine a light on different historic objects. This time around, it’s the chain
The real estate startup is embracing a chiselled new wordmark and a pumpkin-coloured palette, as it rebrands ahead of expanding the business across Europe
While flexible working brings many joys, the opportunities for serendipitous casual conversations with clients are hard to repeat remotely, says Jaime Mandelbaum, CCO, Europe at VMLY&R
The Museum of Chinese in Australia, set to open in 2023, promises to be a space for the country to celebrate “strength in diversity” – with its visual identity rooted in the shapes of Chinese characters
Universal Favourite has overhauled the annual event’s visual identity, creating a “modern and accessible aesthetic with a tinge of rebellion”
Canadian agency Hulse & Durrell and the International Olympic Committee led the redesign of the overarching Olympic branding, as part of an ongoing process to evolve its design system