The New Ugly

Following all the debate generated by our interviews with Super Super’s Steve Slocombe and 032c art director Mike Meiré, here is the piece from the current issue of Creative Review which draws on those sources to set the work into a wider context
Stretched type, day-glo colours and a flagrant disregard for the rules: are we witnessing a knee-jerk reaction to the slick sameness of so much design or a genuine cultural shift?
In the early 90s, the mother of all rows blew up between, on the one hand, the traditionalist school of American designers led by Massimo Vignelli and, in defiant opposition, the avant garde of Emigre and the Cranbrook Academy of Art. The catalyst was an essay in Eye magazine by Steven Heller entitled Cult of the Ugly, in which the world’s most prolific design writer took Cranbrook and its students to task over, as he saw it, their gratuitously ugly output. Well now, it seems, ugly is back.

Promos of the month

Here is another serving of recent music video goodness for your enjoyment, kicking off with Timothy Saccenti’s promo for Peacebone by Animal Collective.

A City of Magazines

From Happy Forsman & Bodenfors in Sweden come these neat magazine holders which, together, create a whole city block on the book shelf.

Stand Me Up; Turn Me On

In last year’s Candlelight Competition, lighting company Mathmos, in collaboration with 100% East and Metropolitan Works, invited designers to create ideas for a Mathmos product on the theme of candlelight. Winner Richard Lawson’s idea has now gone into production as the 9 Volts Lamp.

Generation Press

The relationship between printer and designer is a key, if fractious, one. We talk to GP’s Paul Hewitt about managing it

Timothy Saccenti

New York-based photographer Timothy Saccenti made his name documenting the Downtown music scene

Record Sleeves Of The Month

Above is the cover of Kala, M.I.A.’s new album on XL Recordings. And isn’t it perfectly SuperSupersuited to the times? Brash use of colours: check. Seeming disregard for any classical design tenets: check… The artwork is a mix of M.I.A.’s own input along with graphics by Carri Mundane and Steve Loveridge. Photography by Janette Beckman, Liz Johnson-Artur, Michael Kamber and M.I.A. herself
We’ve seen lots of great sleeves in the last few weeks. Bright colours and illustrated forms seem to be flavour of the month…

Super Super: Like Nothing and Everything

“People said ‘what the f**k is that? It looks like a clown’s been sick’.” Not necessarily the response you might hope for when launching a new style magazine, but it didn’t worry Steve Slocombe. As creative director of the fiercely trendy Super Super, Slocombe is used to being, shall we say, “challenged” about his work…

Best Degree Show Work 2007: Illustration

Understanding (detail) by Samantha Briggs, Camberwell College of Art
Following on from my post on some of the best photography we’d seen at the recent graduate degree shows, we’ve now picked some of our favourite pieces of work shown by illustrators. As you’ll see, there were a huge range of techniques and styles on show, not to mention big differences in scale: from Sawa Tanaka’s delicate rice paper prints, to Samantha Briggs’ enormous drawn installation at Camberwell College of Arts. Shown above is a detail from Briggs’ piece, Understanding, an axonometric drawing examining the atmosphere and familiarity of structured space (a supermarket), which took up an entire wall at the college.

Getting Intimate With Elle Macpherson: It’s OK… It’s For Work

“What the hell are you doing?” asked my editor when he spotted me, clearly on MySpace and watching an embedded movie of a girl writhing around on her bed wearing next to nothing. “Oh, this?,” I stuttered. “Erm, it’s a new campaign for Elle Macpherson’s Intimates range of lingerie,” I responded. “Honest.”

Happiness Factory – The Movie

You remember the Coca Cola ad where the guy puts his coin in a vending machine, inside of which a combination of bizarre creatures and whirling machinery comspire to happily bottle the fizzy brown stuff and make sure it’s icy cold before it’s delivered out the chute? Well, Wieden + Kennedy, Amsterdam have created a follow up er, film (it’s three and a half minutes long) called Happiness Factory – The Movie…

An anti-advertising advertisement

An ad promoting the joys of not being subjected to advertising might seem a contrary notion, but this is the premise behind the new Sky Movies Billboards spot, which emphasises the lack of advertising breaks on Sky’s film channels.
The spot was filmed in São Paulo, which, as CR reported in our June issue, is currently enjoying a hiatus from billboard advertising after a “Clean City” directive from the city’s mayor, Gilberto Kassab, which banned all outdoor advertising, including shopfronts. As a result São Paulo was left with numerous empty billboard structures, which without their signage appear ghostly and oddly beautiful.