Marcel Dzama’s Moving Pictures

Still from The Lotus Eaters, 2001-07, all images courtesy Timothy Taylor Gallery; © Marcel Dzama
Marcel Dzama has gained deserved fame for his imaginative drawings and watercolours which have been exhibited internationally and entered the mainstream consciousness with their appearance on the cover of Beck’s 2005 album Guero. Yet an exhibition of new works at the Timothy Taylor Gallery in London shows that his talents also stretch into other areas, including filmmaking.

Burn My Skateboard

Laser-etched skateboard by Alife
Traditionally, skateboard graphics are either screenprinted or applied using a dye-sublimination process. However, Sydney-based Refill magazine has commissioned a host of designers and illustrators (including Delta, Ben Drury, Genevieve Gauckler, Jim Phillips, Maharishi, Marc Atlan, Marok, Parra, Michael C Place, Mr Jago, Nick Night…) to create designs to be laser-etched onto skateboard decks: each design is created by cutting away the top layer of wood with a laser.
Detail of Alife’s deck
click READ MORE to see / find out more…

I. Snart was ‘ere 1799

A C. Pegge and an L. Beltis clearly had intentions of leaving their mark on a winding staircase within St Paul’s cathedral in late eighteenth century
St Paul’s Cathedral, London: built by court architect Sir Christopher Wren between 1675 and 1710 after its predecessor was destroyed in the Great Fire of London. Hardly what you’d imagine to be a graffiti mecca. But, if you’re brave enough to climb the 500 or so steps to the Golden Gallery (the highest viewing point at the top of the dome) then a wealth of subversive scrawls and monogrammed tagging awaits you. And the best ones – by a country mile – are over 200 years old.

Posters By Post

The Museum Für Gestaltung Zurich’s current show, This Side Up – Konstantin Grcic: Siebdruck, is promoted with this poster by Bonbon
Thanks to Tony Brook of Spin for alerting us to the wonders of the Museum Für Gestaltung Zurich’s rather cool poster subscription service.
Sign up for around £80 a year and, every other month, a lovely surprise will drop through your door – a 128 x 90.5 cm poster by a leading designer promoting the latest show at the Museum…

Record Sleeves of the Week

There suddenly seems to be loads of eye-catching record sleeves and CD packages pouring into Creative Review’s office. And hooray for that! THANK YOU to all those that send us stuff to look at (and listen to). Actually, there’s too many great sleeves to put in one post – SO have a look at these sleeves now, and we’ll post some more up next week. Favourites at the moment include the limited edition box that houses Fred Deakin’s triple CD, four hour mix extravaganza: The Triptych…

Down the Depot

When you have a train-obsessed six (soon to be seven) year-old, your weekends can take you to some unlikely places. So it was that I spent yesterday at a depot in Acton, west London. But this was not just any old pre-fab shed in nondescript suburbia. This was The London Transport Museum Depot and I can recommend it almost as highly to anyone interested in design as I can to anyone with a child for whom the tube network is a source of endless wonder.

Mapping London

Charles Booth’s Descriptive Map of London Poverty, published in 1889, revealed that over a third of Londoners lived in poverty. It was colour-coded to indicate the levels of poverty and prosperity street by street. While the red colouring showed the habitat of the “well-to-do, middle class”, pale blue and dark blue revealed the areas inhabited by the “poor” and “very poor” respectively. Here, the black area in the centre (Bethnal Green) contained the “lowest class; vicious, semi-criminal.”
The British Library’s show, London: A Life in Maps, ends this weekend. If you haven’t been down (it’s free) we wholly recommend a trip over to Euston Road. The exhibition traces how the capital has been depicted since the earliest images of the walled City in the 1550s. On show are some of the earliest examples of wayfinding – the ancestry of the London A-Z if you like. While many of the cruder, hand drawn maps offer up a somewhat distorted vision of a growing city (often for political reasons), the large-scale, engraved depictions of the capital are astoundingly accurate and detailed.

Troy Hyde

It seems we weren’t the only people impressed with Troy Hyde’s work at last year’s St Martins BA Graphic Design degree show. Explosive, the London-based graphic design and advertising agency, also spotted his creative talents at the exhibition and duly hired him

Return of the Levi’s ad

If Levi’s advertising has been a little all over the place of late, lacking the simple, sexy storytelling of the classic 501 ads that used to be associated with the brand, BBH’s latest spot, Dangerous Liaison, feels like a return to the blockbusting tactics of yore