72+

To say that design studio Bibliothèque are avid collectors of graphic design would be something of an understatement. It’s more like they have an addiction to sourcing print classics, particularly from the European Modernist tradition. But they’ve finally managed to find an outlet for one of their favourite collections; Otl Aicher’s work for the 1972 Munich Olympics, in the form of an exhibiton of some of his best work from the project, and the show, 72, has just launched at London design store Vitsœ.
We met up with Bibliothèque, Mark Adams, owner of Vitsœ, and designer Michael Burke who actually worked on the Olympic project with Aicher and had invaluable first-hand experience of the processes and methods involved in creating this seminal body of work. The following is the full transcript of the discussion that took place at Bibliothèque’s studio. (An edited version appears in our current March issue as part of a four-page feature on Aicher’s legacy and the 72 exhibition).

Promos of the week

It’s high time that we shared some of the music video brilliance that has been sent into Creative Review towers over the last couple of weeks. First up is some lovely animation by Louis-Philippe Eno for The Hidden Cameras’ Death of a Tune.

Making Charity Shop Art Better (but Still for Charity)

Dave Cooper’s take on an otherwise fairly innocuous paint-by-numbers picture
The Corey Helford Gallery in Culver City, California has been showing a range of bastardised paint-by-numbers artworks for its latest exhibition, Charity by Numbers. Each painting has been completed in its requisite palette of mundane colours – there are nautical scenes here, depictions of riverside cabins, animals and forests there – and then a range of contemporary underground artists (including Boris Hoppek, Ian Stevenson and Dave Cooper, above) have added their own daubings onto the canvases.

Deadly Designs

Photographers Adam Broomberg and Oliver Chanarin’s new collection of work examines some of the myths surrounding contemporary Israel where, quite often, things aren’t really as they first appear. A series of mundane objects – a melon, a beer can, a rock, for example – in fact turn out to be bombs or, rather, re-creations of bombs made by the Israeli Police Force’s Bomb Disposal Unit (based on the designs used in actual attacks) and now housed in their informal museum in Jerusalem which reveals when and where they were used and how many people were injured or killed.

A poster about posters

Former Creative Future winner Zak Kyes created this series of posters in collaboration with Wayne Daly to accompany artist Ryan Gander’s talk at the Architectural Association in London last week. In keeping with Gander’s work, which focuses on language, ideas and communication, the poster itself became an artistic collaboration between the artist and Kyes. A conversation between the two about the nature of poster design forms the text that runs down the right hand side of the poster, while Kyes commissioned nine illustrators to draw a portrait of Gander at the artist’s request, because, as he explains, “I have never been drawn, and often watch those guys outside the Pompidou drawing people but am always too reserved to get one done.” Gander’s favourite of the nine renditions is by Ed Fella, shown above.

Guinness: beer of substance?

Studio aka director Rob Latimer has created a new corporate film for Guinness, which can be viewed in full online here.

Super, Smashing, HATE!

Eighteen London-based artists were invited to illustrate their pet hate in circular form so all the images produced could be screenprinted onto dartboards. The result is 180 Things I Hate About You – a new exhibition of the screenprinted dartboards which will run at London’s Dazed and Confused Gallery, 112-116 Old Street, from 15 February – 14 March. Here’s a sneaky preview of some of the work…

This Is Not A Brothel: Alternative Version

Following on from the Peter Saville sticker included with our current issue, Jessica Love spotted this alternate version on Cleveland Street, just off Gt Portland Street in London. Not quite as elegant as the Meard St sign but we like the over-excited use of exclamation marks.

Ootje Oxenaar: The Money Maker

From 1966 until 1985, Robert Deodaat Emile Oxenaar – or Ootje as he’s known – worked for the Nederlandsche Bank on a series of new banknotes. It was here that he designed what came to be his most famous project and, in terms of currency design, what many consider to be the most beautiful money in the world

WH Smith Is A…

A thoughtful assistant at WH Smith sent John Dowling’s copy of this month’s issue with a covering note. Unfortunately, the last line appears to send a rather different message…
After receiving some complaints about the issue, WH Smith took it off the shelves. It should now be back up, but with stickers over the offending phrase. If you would like an uncensored copy, please go to Borders or an independent retailer. Or you can buy a copy direct from us by calling +44 (0)207 292 3703. crcirc@centaur.co.uk