Base Design’s Museum of Fine Arts rebrand shows it’s “not just for the elite”
The Museum of Fine Arts’ new identity looks to communicate inclusion and community, and tie the institution firmly to its Boston home
The Museum of Fine Arts’ new identity looks to communicate inclusion and community, and tie the institution firmly to its Boston home
Perhaps one of the most overused job titles around, a creative director can mean everything from a loose celebrity collab to a hands-on leader. Does the role need to be better defined?
We talk to R/GA London’s Rebecca Bezzina about the highs and lows of going fully flexible, and how the agency has created a hybrid and remote working environment that’s helping it to flourish
Photographer, arts space owner and fashion designer Ronan Mckenzie knows what it means to graft. She talks to us about the importance of transparency in carving a path for herself and others to follow
In an attempt to loosen the iPhone’s vice-like grip on the market, Samsung’s new ad emphasises the seductive qualities of its flippable smartphone
Pancho Cassis, the global CCO of ad agency David, is known for campaigns that surprise and subvert expectations. He talks to us about getting the best out of his teams and why he advocates for cautious growth
While big tech has in the past been accused of co-opting spirituality to seduce audiences and staff, emerging tech pioneers are respectfully building positive futures inspired by ancient wisdoms
The new campaign, which features a set of films directed by Kim Gehrig, offers Pinterest a distinctive new position in a very crowded market
Accumulate’s mission to help support those affected by homelessness into the creative industries continues with new project Creative Futures
A new London exhibition showcases work by artists that explore sex, beauty, politics, and more – despite the fact they’ve previously been censored
Posters displayed on the streets featured in the Dutch and Belgian versions of the game show children going through the intense emotions Monopoly can elicit – but with a positive spin
We speak to Oliver Sim, designer Vasilis Marmatakis and director Yann Gonzalez about translating Sim’s debut album, Hideous Bastard, into a queer horror extravaganza