A World Without Design?

On the 26 September, as part of the London Design Festival, design consultancy The Partners hosted a panel discussion on the theme of a world without design, tying in with an exhibition on the same theme at their studio. The panellists were designer Paul Priestman of Priestman Goode; Dejan Sudjic, director of the Design Museum and CR editor Patrick Burgoyne. The following is an edited transcript of the discussion.

Books of the week

In our first round up of some of the best newly published books we focus on the work of illustrators. Or, more accurately – as you’ll see from our selection – illustrators and cartoonists who veer ever so slightly from the conventional path. (Characters from Lost Heroes by Ian Stevenson).

Books of the week

In our first round up of some of the best newly published books we focus on the work of illustrators. Or, more accurately – as you’ll see from our selection – illustrators and cartoonists who veer ever so slightly from the conventional path. (Characters from Lost Heroes by Ian Stevenson).

Books of the week

In our first round up of some of the best newly published books we focus on the work of illustrators. Or, more accurately – as you’ll see from our selection – illustrators and cartoonists who veer ever so slightly from the conventional path. (Characters from Lost Heroes by Ian Stevenson).

BOO!

ITV1’s Afterlife show is a spooky drama about a medium who, following a car crash starts to receive messages from “the other side” (as in dead people, not BBC One).
So what better way to promote the series than to scare the bejeesus out of passers-by with a bit of Guerrilla Advertising? Watch what happened here.

One-Sided Story

With wearisome predictability, the UK’s national press have this morning administered a good kicking to BBC One’s new series of channel idents, unveiled yesterday. The idents, produced by Red Bee Media play on the circular shape of One’s initial letter – using a mixture of live action and effects, the shape is formed by bike riders, kite-flyers and even CGI hippos. But the press are more interested in the fact that they cost £1.2 million (that’s for all eight) and (gasp) some of them were even shot ABROAD…

Record Sleeves Of The Week

We like a bit of music here at CR towers. And – but of course – the packaging it comes in… This week we’ve mostly been admiring the sleeves of the following albums:

This is the rather splendid typographic cover of Darkel, a solo album by JB Dunckel, one half of musical duo Air. Label: Prototyp Recordings / EMI. Art direction: H5. Photography: Valérie Sonnier (inner cover photo) and Anthony Mccann (booklet photo).

Music videos of the week

Here’s a selection of our favourite music videos this week, kicking off with Jaron Albertin’s atmospheric promo for Emily Haines & The Soft Skeleton. Suburban supermarkets have never seemed so bleak.

Alan Fletcher

Alan Fletcher, one of the true greats of graphic design, died last night. He had been diagnosed with cancer 18 months ago but, characteristically, did not want people to know that he was ill.
As a founding member of both Fletcher Forbes Gill and Pentagram, Fletcher had an enormous influence, not just on British design, but on graphic design the world over. During my time as editor of Creative Review I was very fortunate to have got to know Alan. As well as being supremely talented, he was wonderfully warm, funny and the most tremendous company.
In a world of instant celebrity and unearned adoration, Alan was the real thing.

Ads Of The Week

Rounding up the best posters and press ads to have arrived at CR towers this week, starting with a beautifully crafted retro print campaign from Nike celebrating Italy’s World Cup success, plus the latest burst from The Economist and Renault.

Bart Vs. The White Stripes

Bart Simpson and Meg White get caught up in a drum off in this witty Simpsons homage to Michel Gondry’s Hardest Button to Button promo.

The Smaller Story of Art

The Story of Art by EH Gombrich is one of the most accessible books ever written on the visual arts. Its popularity has ensured that it’s been in print since 1950 and has, to date, sold over seven million copies worldwide. It’s also been a mainstay title for Phaidon, the book’s publishers, who are about to release a new “pocket edition” boasting a complete redesign of the original book.