Type Cast

Set for release next year, to coincide with the fiftieth anniversary of its subject’s creation, Helvetica is a feature length documentary film about graphic design, visual culture and the impact of design’s favourite typeface. First time director Gary Hustwit has assembled an array of graphic talent to discuss the ubiquity of the typeface that was designed by Max Miedinger in 1957 for the Haas Type Foundry in Munchenstein, Switzerland.

Hidden Talents

Corbis’ Creatives Behind The Lens competition reveals the talents of the creative community’s frustrated photographers

Cut Out and Keep

A quirky London shop has been providing the creative community with copyright-free imagery for 20 years. Mark Sinclair visits the capital’s most intriguing visual resource, The Dover Bookshop

Serpentine Gallery

This month our panel discuss both the Serpentine Gallery’s Rem Koolhaas pavilion and its Thomas Demand show

We Built Coca-Cola Videogame

Coca Cola’s latest cinema spot, Videogame, is a fully CG animated sing-along from Nexus directors Smith & Foulkes. Ben Cowell and Reece Millidge tell us about their roles building and animating the spot

Stuck in Traffic

Car websites have been the source of some of the web’s most innovative work. But do they still cut it? Victor Benady revs up and reports back

Life Less Ordinary

Whether it be for advertising, editorial, or his personal work, Dan Tobin Smith has made an art of transforming the ordinary into the sublime.

A Life In Pixels – Susan Kare

As the creator of Apple’s original graphic interface icons, Susan Kare has a unique place in design history. She talks to Sean Ashcroft about a modern art with ancient roots

Making Tracks To The Tate

Cynical old hack that I am, I always get a sinking feeling when I hear about large public institutions attempting to “engage with young urban audiences”. So it was with a resigned air that I opened an email headed “Fallon creates cutting edge music partnerships to bring urban youth to Tate Modern”.

Help Wanted

When Jonathan Ellery, founder of London design studio Browns, received an email from a recent placement student, he was expecting the usual note of gratitude for providing some invaluable experience. But instead of a friendly “thanks for the opportunity”, the fresh-out-of-college graduate had taken it upon herself to offer her advice on how to run his studio. “I was absolutely astonished,” says Ellery. “I felt for her really because she’s in for a shock. I don’t know where that level of arrogance comes from but I find it baffling.”

On Creative Review we have had some brilliant placement students – both designers and journalists. But we’ve had our fair share of disasters along the way too: the girl who alternated between floods of tears and snoring over her desk until prodded awake; another who kept a calendar next to her monitor on which she would cross off each day until her purgatory was at an end (her last day was outlined in pink stars). And several who went out for lunch and never came back.

The placement experience cuts both ways of course. Tales abound of students being given nothing more challenging to do than clean out a cupboard or get the tea. But doing a placement remains the best means of securing that all-important first design job.

As this year’s flood of new graduates hits the labour market, they could do worse than check out a book of practical advice from which Ellery’s anecdote comes.