There’s been a rapid rise in on-demand grocery delivery apps, complete with similarly snappy names and attention-grabbing branding. But can they compete with traditional supermarkets amid the cost of living crisis?
The pickle brand is seeing in the milestone with a new visual and verbal identity that toasts home comforts
Revenge of the Librarians features 150 comic strips created by the award-winning Scottish illustrator, mocking everything from writer’s block to grammar pedants
Having worked with the likes of Björk, David Bowie and Massive Attack, Andrew Melchior recently joined The Mill as EVP, global director of experience. Here, he shares his thoughts on where tech will take us in future
Collins has crafted a rainbow-tinted new visual identity for the 110-year-old organisation, designing branding that “looks girls in the eye”
Featuring work that moves from the figurative to the abstract and beyond, Avec le dessin is a testament to the designer’s versatility – and the “primitive impulse” to draw
In this new report, we shine a light on some under-acknowledged gaps in the creative industries and examine how these might be closed
Orchestrated by Gucci’s creative director – and self-confessed cinephile – Alessandro Michele, the campaign film places the fashion house’s latest collection within some of Kubrick’s most iconic film scenes
We speak to Channel 4 about how it is providing more creative career opportunities across the UK’s regions, plus why an increasing number of brands are setting their sights beyond the London bubble
Graphic designer Marina Garcia Salcedo is one of the ten art and design graduates we’ve chosen for our annual Gradwatch showcase, where we celebrate the next generation of talent in the creative industries
The German brand’s iconic teeth-shaped biscuit is at the heart of its new visual identity by Auge Design
Animator Ying Zeng is one of the ten art and design graduates we’ve chosen for our annual Gradwatch showcase, where we celebrate the next generation of talent in the creative industries
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Autumn 2024 issue of Creative Review looks at the brands and individuals who are pushing creativity forward on their way to the top
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
As the &Walsh founder launches her agency’s new offshoot Type of Feeling, she discusses why typography’s ability to evoke emotions makes it one of the most powerful tools at a brand’s disposal
Kinda Studios is tapping into the emerging field of neuroaesthetics to help creatives and brands make more impactful work that benefits people’s wellbeing