Modern Life’s visual identity puts a different spin on insurance
Featuring a set of charming illustrations by Vincent Mahé, XXIX’s branding for the life insurance brokerage feels markedly different from the industry norm
Featuring a set of charming illustrations by Vincent Mahé, XXIX’s branding for the life insurance brokerage feels markedly different from the industry norm
A new exhibition at the Los Angeles County Museum of Art examines the ever blurring lines between advertising and art photography, and how the two worlds have influenced each other
Drawing on influences from Cairo’s streets and genres, the design collective boasts typographers, illustrators, editorial designers and more — but just for one project
As the crispbread brand approaches its 100th birthday, it is hoping to stand out in an increasingly saturated health food category
Expectations are high for today’s creative leaders, who need to offer hope, joy, and a passionate vision to guide us through our changing times. Happily, there is plenty of all this on offer from the people we speak to for this issue
A growing number of campaign films are bringing together different animation studios with contrasting styles. We look at why this approach has found favour recently – and how it can be a great way of showcasing new talent
There’s been a rapid rise in on-demand grocery delivery apps, complete with similarly snappy names and attention-grabbing branding. But can they compete with traditional supermarkets amid the cost of living crisis?
The pickle brand is seeing in the milestone with a new visual and verbal identity that toasts home comforts
Revenge of the Librarians features 150 comic strips created by the award-winning Scottish illustrator, mocking everything from writer’s block to grammar pedants
Having worked with the likes of Björk, David Bowie and Massive Attack, Andrew Melchior recently joined The Mill as EVP, global director of experience. Here, he shares his thoughts on where tech will take us in future
Collins has crafted a rainbow-tinted new visual identity for the 110-year-old organisation, designing branding that “looks girls in the eye”
Featuring work that moves from the figurative to the abstract and beyond, Avec le dessin is a testament to the designer’s versatility – and the “primitive impulse” to draw