Why neutrality is a powerful tool for grassroots abortion campaign graphics
Designing graphics around abortion is a tricky balance: too strident, they further alienate the people a campaign needs to reach; too plain, they risk being ignored
Designing graphics around abortion is a tricky balance: too strident, they further alienate the people a campaign needs to reach; too plain, they risk being ignored
Simon Gunning, CEO of the suicide prevention charity, explains why its “hit-driven” brand partnership approach works – and why more nonprofits should behave like brands
The London-based photographer zeroes in on her Latin American roots in her practice, looking to both her adoptive and ancestral homes to fuel her rich storytelling
Remote working has thrown open a truly global talent pool, but how can you collaborate efficiently?
Games publisher Capcom has been roasted for its minimal new Street Fighter 6 logo. Perhaps instead it needs to embrace the kind of bold, maximalist design people crave?
In this extract from his new book, Creative Demons and How to Slay Them, Richard Holman examines the lure of convention and how to summon original thought
As brands adopt new ways of representing health and fitness, semiotics specialist Julius Colwyn reflects on how health and hedonism converged, and why Gen Z is partly – but not wholly – responsible
The events of the past few years have had a significant impact on the creative talent pool and led to much movement in agencies and studios – but what does the future hold?
The blue-and-white ‘lozenge’ is an iconic symbol in the UK and beyond, but is it time for an update, or is the logo still in rude health? Design critic Alice Rawsthorn, St Luke’s ECD Richard Denney, and Nalla Design owner Vicki Young take its pulse
The video for his new track Exotic Contents was created with machine learning specialist Xander Steenbrugge, and sees philosophical writings translated into visuals by AI
How will new ways of designing our bodies and our health, including gene editing, affect our future selves? Lucy McRae explores these concepts in her art, presenting radical sci-fi ideas that are rooted in science fact
A new exhibition, The Beautiful and the Sinister, highlights the relationship between these two elements in Brandt’s work, and examines the influence of Surrealism