Does the design of everyday materials deserve more credit?
Logos, exhibition design and book covers can often seem like the zenith of graphic design. Do reports, documents and catalogues get overlooked by comparison?
Logos, exhibition design and book covers can often seem like the zenith of graphic design. Do reports, documents and catalogues get overlooked by comparison?
An animation created by GentleForces for the No More Foundation and Commonwealth Secretariat aims to raise awareness of the need for collective power to stop the violence one in three women experience in their lifetimes
In their new photobook, Yves Marchand and Romain Meffre celebrate the glamorous movie theatres of by-gone years and capture what happened after the credits rolled for these iconic buildings
MetaDesign group creative director Sally Anderson shares her insights from a decade of working in China, including why so many big brands try and fail to crack the Chinese market
Mark Hauser, applied behavioural scientist at branding agency The Team, discusses how psychology could create more effective, human-centred creative work
Addressing current affairs in a manner more akin to a fashion mag, the third issue of Hot Potato is as surprising and delightful as ever
The set of 12 posters showcase the film’s many, many stars and builds anticipation for the movie’s release, which was postponed for over a year due to the coronavirus pandemic
In this edition of Exposure, where art director Gem Fletcher profiles new and exciting photographic talent, she explores the work of young American photographer Chance DeVille, whose image-making uses the camera as a tool to describe and process personal trauma
Jarrold’s short examines the history of sexual harassment in law by telling the story of a bizarre 19th century case which also showcases her bold illustration style perfectly
Curated by Justine Kurland, I Belong to This explores “private rites and communal ritual”, and how these ideas correspond to our sense of identity and belonging
The devil on the ad industry’s shoulder might still say that fast fashion and oil companies aren’t so bad, but some design studios are taking an ethical stand. But can ‘good’ clients and big business can ever live in harmony?
Once little more than the purveyors of slash fiction and frenzied online chat, the fandom has become a creative force. Brand strategist Zoe Scaman discusses how the evolving role of the fan is changing the way brands operate