Winners of this year’s prize address the challenges wrought by the pandemic, from the impact of isolation on mental health to everyday struggles faced by trans women in Indonesia
Creating work for the likes of GQ, New Scientist and The New York Times, Mendieta talks about why continuing to experiment is key to his practice
Plants, puffins and pugs all feature in the series – kickstarted by illustrator Justyna Green and featuring ‘gratitudes’ submitted by designers and creatives from across the industry
We’ve invited over 15 judges from across the world of photography to judge this year’s Photography Annual. Read all about who will be seeing your work here
Covid has shown the need for brands and services that are designed with humans at their core, rather than the bells and whistles of technology, says Wayne Deakin, ECD, EMEA at Huge
We speak to Tara Razavi, founder of creative production company Happy Place, about her work with Tyler, The Creator on his latest album, plus what the role of a good producer entails
A new photo book is celebrating the work of American street photographer Helen Levitt, known especially for candid images of young people at play
London-based agency 10 Days is run by a trio of brothers determined to prove that ten days is all it takes to crack a brief and make a brilliant ad. Creative director Jolyon White tells us how they get it done
Selling by pre-order cuts out the risk, so you can make some extra cash while pushing your creative expression in new directions
The book, published by Formist Editions and featuring the work of type designer and Klim Type Foundry founder Kris Sowersby, asks, “When is a letter not a letter?”
We are expanding our Exposure column beyond only looking at photographers, to examine the work of the wider teams that contribute to image-making being the vital force it is today. Here, Gem Fletcher profiles the work of stylist Nathan Klein
My Head Is A Jungle sees the Birmingham-born illustrator transform the gallery space into a 3D maze-like structure filled with murals and sculptures
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music