Inter Milan introduces stripped back ‘I am’ logo
Bureau Borsche is responsible for the updated visual identity, which is tailored for digital environments and, according to the club, aims to “establish itself as an icon of culture as well as sport”
Bureau Borsche is responsible for the updated visual identity, which is tailored for digital environments and, according to the club, aims to “establish itself as an icon of culture as well as sport”
The Oscar-winning production designer discusses his journey from night janitor to one of David Fincher’s most trusted collaborators, plus his work on the director’s latest film Mank
The logo, which features an angular version of a two and six, drawn in a single movement, was decided by a popular vote held online
The first in a series of books, Tummy Bugs gathers ten years worth of work. Here Sadler talks about the process of reflecting on work that was created during a different time
The past year has created a new emphasis on our surroundings, leading to an acute awareness of whether areas really serve their communities. We explore how place branding and marketing have been adjusted to reflect this
After D&AD announced its annual award winners would be showcased online only, creative team Rhys Hughes and Barret Helander decided to make a print version themselves
The cassette tape changed our relationship with music in ways that are still playing out today. Here, MassiveMusic’s Marijn Roozemond reflects on how it opened up our ways of listening to, making, and sharing the songs we love, plus what brands can learn from this
The new ad, directed by George Hackforth-Jones for the charity Duty To Care, which provides mental health and wellbeing support to NHS workers, intends to remind people that ‘even superheroes need saving’
The animation director and recent RCA graduate uses a pastel colour palette and cutesy characters to address important subjects such as sustainability
The people behind suicide prevention charity CALM are launching a new helpline aimed at supporting women and girls. We look at how it’s been devised and what the service is doing differently
The pandemic isn’t mentioned specifically in this new campaign but its message that ‘we will grow again’ clearly alludes to our hopes for an emergence from lockdown as much as our ability to grow B&Q plants
By day, Gavin Strange works as a director and designer for Aardman Animations, and by night he operates as JamFactory, an alias which sees him indulge in his love of side projects. Here he tells us how he does it