How adaptability can make or break a studio
Mike Moloney, founder of design and animation studio, Art&Graft, reflects on how being adaptable, in all senses of the word, has allowed him to build a business that is now celebrating its tenth birthday
Mike Moloney, founder of design and animation studio, Art&Graft, reflects on how being adaptable, in all senses of the word, has allowed him to build a business that is now celebrating its tenth birthday
Australian artist Heath Kane has reimagined the covers of four George Orwell classics in his trademark subversive style
The online exhibition features a mix of famous names and less-heard voices, who all use letterpress techniques to express their feelings on a range of contemporary issues
Studio Koto has given the cultivated meat company a facelift that ditches both industrial farming and stuffy labs in favour of animals retiring in a rural idyll
Sam Pilling has crafted brilliant music videos and ads for everyone from DJ Shadow to Ikea. Here, the director discusses the importance of grabbing any opportunity that comes your way when you’re starting out and the beauty of a creative brief based on a single idea
Through his series, The Posties, Gray has been able to connect with others during a time when the world feels ever more closed off and insular
Murray Kerr, founder of architecture practice Denizen Works, shares his purposefully ‘naïve’ approach to design and discusses the challenges of leading his studio off the beaten path
A new book on Nike, published by Phaidon, demonstrates the core role that marketing and storytelling play at the sportswear brand, and – as this extract reveals – how the Air Max shoe came to define its future approach
While art shown indoors may have temporarily lost its audience to the pandemic, street art is on the rise. Here, Hazel Davis reflects on how the medium is growing ever more part of the art establishment, yet can still be used as a force for change
The Brighton-based photographer draws inspiration from the Pre-Raphaelite era for her striking images, using analogue film and a meticulous darkroom process to create her own fantastical worlds
Every copy of In The End It Was All About Love, published by Rough Trade Books, is unique, thanks to its hand screen-printed jacket by Tommy Davidson-Hawley
Last week, Creative Review hosted a panel talk with a series of experts which looked at the ways in which the photography industry needs to change. You can watch the discussion again here