Can AR help save retail?
AR is much talked about, but we rarely hear how it can be used creatively for brands. Here, Stink Studios’ James Britton examines the exciting and inventive possibilities for AR in retail spaces
How writing and design can respond to fast-moving times
We often think of writing and design as being a slow and reflective process. But in our quickly changing news landscape, there can be merit in reacting fast and loose, says Nick Asbury
Gradwatch 2019: Illustrator Hollie Fuller, Leeds Arts University
Illustrator Hollie Fuller is one of ten creatives we’ve selected to feature in our annual Gradwatch showcase, where we put the spotlight on the art and design grads we feel are producing outstanding creative work
Markéta Luskačová’s photography embraces the North East seaside
The Martin Parr Foundation will play host to Markéta Luskačová’s nostalgic photographs of the North East seaside and the proud beach-goers who frequented it
Burger chain Byron has quietly unveiled a new logo
The updated design, apparently inspired by guests sitting at a table, is part of a wider overhaul of Byron’s visual identity
How should you write about your work?
When it comes to showcasing your work, words can be just as important as visuals. We asked designer Adam Rix, and agents James Gerrard-Jones and Jon Cockley for advice on writing bios and descriptions of work, as well as how to communicate your ideas
A new book is tracing the history of infographics
The History of Information Graphics follows the course of infographics from the Middle Ages through to more recent design trends
What voice does your brand need?
Brands today need not only a clear visual identity, but an aural one too. But how is this best achieved? CR speaks to Roscoe Williamson, Head of Branding at MassiveMusic London and Pierre Nabhan of branding agency JoosNabhan for some expert advice
Arto LIFEWTR aims to give a canvas to artists
The premium bottled water brand is dedicated to showcasing emerging artistic talent through its packaging and ad campaigns. But is it a genuine cause for good or a diluted distraction from the plastic debate?
Gradwatch 2019: Graphic designer Suzy Chan, London College of Communication
Graphic designer Suzy Chan is one of ten creatives we’ve selected to feature in our annual Gradwatch showcase, where we put the spotlight on the art and design grads we feel are producing outstanding creative work
Björk morphs into a digital mask for her Losss video
Artist Tobias Gremmler made the digitally generated film, which the musician says is based on “conversations between our inner optimist and pessimist”
Do creative agencies need to work on their purpose?
When creative agencies insist that their clients have a purpose, should we be surprised when their employees question what their own is? Patrick Burgoyne wonders if it’s finally time for ad and design firms to be clear on their ethical stance
Creative Review’s Annual Awards 2025 are officially open for entries
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
How to scale your design business
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
Cultivating community with Ganni
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Why are brands apologising so much right now?
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
How Guinness embraced social
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Tracing Banksy’s art history remixes
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
How Lego creates meaningful brand experiences
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
Matt Willey brings a human touch to Kaos titles
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A visual history of movie posters
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
The Monthly Interview: Rob Lowe, aka Supermundane
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
Unravelling adland’s obsession with 90s nostalgia
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
Building the visual world of Fontaines DC
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music