Nestlings, a game-like app where loveable critters help you save money
We speak to fintech company Thought Machine and game studio Glitchers about Nestlings, a new app which hopes to make money saving more delightful and less anxiety inducing
We speak to fintech company Thought Machine and game studio Glitchers about Nestlings, a new app which hopes to make money saving more delightful and less anxiety inducing
Banking has been attempting to change its tone of voice for decades. But it’s the start-ups that are truly exploring a new way to write about money, writes Nick Asbury
Getting your audience to actively participate in the development of your brand, festival or event can provide both a great experience and real engagement with the end result. But doing it well is an art form in itself – we talk to Joe Hartley of Standard Practice for some tips
Netflix’s Bandersnatch might have got everyone talking, but what does the future of interactive storytelling really look like, and how can brands make the most of it?
The director of London’s Photographers’ Gallery reflects on the challenges the gallery faces in the post-Brexit era, her determination for its shows to be accessible, and on the skills she has – and lacks – when running such a significant cultural institution
4Creative and DixonBaxi have created a new identity for the on-demand service, based on Lambie-Nairn’s iconic ‘4’ logo and a horizontal ‘streaming bar’. We talk to them about the thinking behind the redesign
Artist and musician Greg Gilbert put pen to paper after his cancer diagnosis, creating a series of ink drawings that express some of the “fragments and scenes” that went through his mind
A whole issue dedicated to creativity and cash; we have advice on how to sell a creative business, we investigate the value of an expensive university education, and speak to leading creatives about how they manage their money
Kellogg has announced a portfolio-wide redesign of its cereal boxes across Europe, the largest in its 113-year history – with a reduced role for many of its well-known cartoon characters. Are they starting to respond to political pressure?
Curator Paola Antonelli talks to CR about her latest project – an exhibition that contemplates human extinction and the concept of ‘restorative design’
Beautiful, Isn’t She?, which is made in collaboration with Transport for London and shown on the London Underground, uses frank portraits of new mothers in a bid to counteract unrealistic portrayals of the post-natal experience
“Isn’t it just boys being boys?” ponders the film, which explores some of the ways toxic masculinity takes hold