This project was selected in both the Craft and Technical Innovation and the Interactive Film & VR, AR, MR categories in The Annual 2018, CR’s award scheme celebrating the best in commercial creativity
A VR experience accompanying Tate Modern’s Amedeo Modigliani show gave visitors the chance to spend time in the artist’s studio. This project is Best in book – Interactive film & VR, AR, MR in The Annual 2018
The New York Times Magazine continues its formidable run of award wins with Best in Book this year for its covers. This project is Best in Book – Editorial in The Annual 2018
Director Kibwe Tavares talks to Rachael Steven about Robot and Scarecrow, his romantic short film about an unlikely relationship at a music festival. This project is Best in Book – Branded content in The Annual 2018
With two unmanned cameras and sensors in both the ball and players’ shoes, The Autonomous Broadcast Network makes professional-level sports broadcasting and data available to all basketball teams, whatever their level. This project is Best in Book – Craft & technical innovation in The Annual 2018
Multiplatform documentary project Flint is a Place tells the stories of the citizens of a city that has come to symbolise the collapse of the American Dream. Patrick Burgoyne talks to its creator Zackary Canepari. This project is Best in Book – Websites in The Annual 2018.
With attention to detail and a focus on craft, director Ringan Ledwidge and ad agency BBH London turned an ad about car safety features into a spot packed with charm and pathos. This project is Best in Book – Commercials in The Annual 2018
A new book – launched to coincide with a major exhibition at Dulwich Picture Gallery – compiles six decades of book covers by the late artist and designer Edward Bawden
The upcoming book celebrates the work of designer Shigetaka Kurita and the original set of emoji he created for Japanese telecom company NTT DOCOMO in 1999
As a biracial female growing up in the American south, designer SarahGeorge Durham has always faced adversity – but refused to accept it. She sees life as a series of design elements that we have the freedom to play with.
David Shrigley has a new book out, and is the guest director of this year’s Brighton Festival. We talk to him about humour in art, being a “lefty liberal”, and the importance of taking on new challenges.
The furniture giant’s latest collaboration lets you match your three piece suite to your three piece suit.
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music