An Atlas of Rare & Familiar Colour
A new book reveals the treasures of the Forbes Pigment Collection, an archive of over 2,500 colours catalogued by Harvard University over the last century
A new book reveals the treasures of the Forbes Pigment Collection, an archive of over 2,500 colours catalogued by Harvard University over the last century
Over 30 of London’s leading advertising agencies have pledged to pay all staff, including interns, the real living wage.
Coinciding with the release of his American Utopia album, Byrne is inviting “aspiring artists, filmmakers, choirs, animators, directors and actors” to make videos based on its songs. First up, a choir from a Detroit school
An exhibition at the Whitechapel Gallery previews the public art that will be displayed at Crossrail stations across London from December 2018
As part of an elaborate campaign for new sci-fi drama Kiss Me First, Channel 4 created the AzanaBand, a gaming device that purported to stimulate happiness, fear and pain in users.
The BBC’s first augmented reality app allows users to explore artefacts from museums across the UK. Nexus Studios producer Claire Cook talks us through how it was made
New from Phaidon, Every Day A Word Surprises Me reprints over 700 quotes by writers. Unlike much of this genre, it offers both useful advice and insight
For its 10th anniversary online photography magazine 1000 Words is looking to publish a one-off print edition featuring a host of new content – and today has launched a Kickstarter campaign to fund the project
The BBC has returned to Lou Reed’s classic song Perfect Day to promote its broadcasting, this time using the track to emphasise the diversity of content shown on BBC Three.
In her Exposure series, art director Gem Fletcher examines the world of photography. Here, she talks to Molly Matalon whose work “celebrates uncertainty, blends fantasy with reality and subverts our preconceptions about just about everything”
As the things to which we ascribe value begin to change, the notion of premium, of quality, of the sought-after is radically changing, says Hugo Jamson. How should brands and designers react?