Over the last five years, ad agency TBWA\Melbourne, art and directing collective The Glue Society and production company Will O’Rourke have helped ANZ Bank celebrate Sydney’s Gay and Lesbian Mardi Gras and LGBTIQ culture by applying masses of glitter, fur, leather and denim to everyday ATMs. This year’s design takes things up a notch
Each year, a handful of design graduates from around the world are given the chance to present their work to the audience at Cape Town creative conference Design Indaba. This year’s graduates presented some innovative ideas – from an insulin injection kit for children with diabetes to a biodegradable shoe…
The modern brand doesn’t only need to look and feel like the brand, it has to sound, move and interact with other technology like the brand, says Sebastian Koseda. As ‘brand’ becomes less of an identity and more of an entity how will typography evolve alongside it?
Artist Eva Papamargariti has created this magical video for JB Dunckel, ex of Air, which finds the musician floating in a synthetic tropical paradise.
A series of illicit bus-stop posters in which the stars of well-known films and TV shows have been replaced with black alternatives have appeared in Brixton
In a collaboration with the International Union for Conservation of Nature, Lacoste has swapped its famous crocodile logo for ten of the world’s most threatened animals on a set of limited edition polo shirts.
Risograph studio Risotto is taking over Glasgow venue the Lighthouse with a print exhibition and hands-on workshops during contemporary art festival Glasgow International
In this article, Emily Gosling looks why creatives need time to switch off, and how making the time to escape into a space of tranquility greatly aids productivity and the creative process
The world’s first Plastic Free Aisle has opened in the Amsterdam branch of Ekoplaza in a collaboration between the Dutch store, campaign group A Plastic Planet and London studio, Made Thought
On New York’s 8th Avenue, a new museum rich with interactive experiences promises that the visitor will “see yourself and the world around you more clearly through the lens of spying”. We look at how a team of creative talent brought this ambitious new experience to life
In the first column in a new series for CR, Creative Industries Federation Chief Executive John Kampfner argues that the impact of Brexit coupled with a short-sighted approach to education is threatening the long-term health of our burgeoning creative industries
In an otherwise bland ad campaign on Instagram, Gap included a photo of a mother breastfeeding her child, and demonstrated once again that a picture is worth a thousand words.
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music