Making Memeries is a new photobook by Lucas Blalock, which comes in two forms. It is both a rather lovely book of images, but also becomes an adventure into augmented reality when looked at via an app.
Dubious working conditions, a lack of feedback and little support for development: as the contest for talent intensifies, is it time for the creative industries to shape up their treatment of young employees? asks Kajsa Asplund in this extract from Intern magazine
If you haven’t yet been able to send us your entries for the Creative Review Annual 2017, don’t worry – we’ve extended our deadline
Logojoy is a new website that uses Artificial Intelligence to ‘design’ logos. James Greenfield, an actual human designer, gives it a go…
If populists try to run our world, then pop culture should be ready with a forceful response, says Mieke Haase of Loved, a D&AD jury President for 2017
If you’re starting a creative career, an online portfolio is an indispensable marketing tool. Here’s some advice from wedding photographer DeAndre Glover.
Nike’s new ad campaign has no visuals – instead it simply features text and a voiceover telling us to stop wasting time looking at screens and go out for a run.
Ikea has long been known for the quirky names it gives to its products, but a new ad campaign sees these monikers get even stranger.
For those of you waiting with bated breath to make a decision about what colour to paint your living room walls, Pantone has just announced that the colour of 2017 is Greenery.
The key to making a successful poster? A strong idea applied with care and a rigorous attention to detail will always pay off. Sadly, it’s too much for some
Photographer Nick Ballon went inside an Italian tannery to shoot this series of images for textile firm Maharam.
Tate Modern’s retrospective of US artist Robert Rauschenberg reveals a restless, generous and endlessly creative spirit. It also demonstrates an artist hugely ahead of his time, with his art exploring many of the ideas that preoccupy the creative industries today
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music