I wonder whether you’ve seen the sign already, whether I should cover your eyes. Or whether that would just alert you to the fact that there is something to see. Of course it would. Stupid me. So, I keep walking, keep you walking, your slim hand in mine. You seem peaceful, staring ahead. You tend […]
You haven’t yet realised, in your ignorance of life, beauty (and grammar) that the owners of what you so dismissively call Stuff have begun to take yours. Your precious iPhone 8, your £445.00 Balenciaga black trainers and that bottle of Louis Roederer Cristal you were planning to open for your girlfriend. The Dead Peoples, as […]
Despite the onset of digital processes, print is still a great medium with which to be creative
Our latest pairing of interesting magazines includes a bilingual biannual magazine about happiness and another about the culture of wine
Italian deli and restaurant chain Carluccio’s has launched a rebrand, with changes to its menu, restaurant design and logo.
Stocksy United: How to run a viable, sustainable and profitable co-op
Welcome to the third of our Studio Sense series of supplements from Creative Review
Vintage Books creative director Suzanne Dean worked with artist Marion de Man to create the cover for Dybek’s new collection of short stories – using over 60 pencil stubs
The latest campaign features a new film, as well as fun interactive stuff on Snapchat and Facebook, and a pop-up Halloween salon in central London
On October 8, France inaugurated its first national graphic design centre, Le Signe (the Symbol), in Chaumont. For CR, Jean Grogan reports back on the potential – and symbolism – of this significant new space.
Letterpress studio New North Press has worked with schoolchildren in Stepney to create a series of posters for Wilton’s Music Hall
The New York studio’s system is based on the relative locations of the Museum’s three buildings, uniting the institutions in one symbol. We spoke to karlssonwilker about the project
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music