Known for his socially-engaged public art, artist Martin Firrell’s latest work focuses on ‘identity equality’ and will be viewable on digital billboards in the UK until the end of August.
Design writer Angharad Lewis’ new book So you want to publish a magazine? offers an in-depth guide to launching a new publication. Here Lewis talks to Penny Martin, editor-in-chief of The Gentlewoman
Cate Blanchett is the latest big name star to appear in a video for Massive Attack. The video, from The Road director John Hillcoat, sees the actor’s face slowly morph and change until it is unrecognisable.
Mondo is one of a growing group of fintech startups aiming to transform the way we bank. We talk to head of design Hugo Cornejo about working with customers and developers to create a digital banking service to rival existing apps
Nike proves that it is still the boss of sports advertising in an epic but funny new spot, released to coincide with the Rio Olympics.
The opening titles to Netflix’s hit show Stranger Things are a triumph of typographic intent, writes Sarah Gless. Here, she cites three reasons why (with a little help from Stephen King) they work so well.
We’ve partnered with JCDecaux to bring some great graduate artwork to 1000 screens across the UK, and they haven’t gone unnoticed. Have you spotted one yet?
With its workshop at the centre of its cutting-edge design practice, a love of materials drives each and every one of Map’s projects. Design director Jon Marshall talks to Mark Sinclair about how its collaborative approach brings thinkers and makers together
Pes filmed his latest stop motion ad for Honda all in-camera, on a huge film stage with a crew of over 100 people.
You may have spotted her headless girl on JCDecaux’s digital screens. Here’s what inspires fashion photographer Kate Sturney, who has just graduated from University of South Wales
In a first for the Olympic Games, the forthcoming Rio event will feature a team of refugee athletes, fully funded by the International Olympic Committee (IOC). A new film, shown here, introduces their story, and also hopes to raise awareness of the wider refugee crisis.
The winners of this year’s World Illustration Awards were announced earlier this evening at Somerset House in London, with two illustrators from South Korea taking the top prizes.
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music