Deadline extended to July 10 – Bridgeman Studio Award 2016
Last chance to submit “night” themed art work and the win a £1000 book cover commission
Last chance to submit “night” themed art work and the win a £1000 book cover commission
Oslo-based illustrator Magnus Voll Mathiassen has created some bold new covers for Norwegian publisher Gyldendal’s reissues of classic texts by Oscar Wilde, Truman Capote, Orhan Pamuk and Ian McEwan
Over the past ten years, Manchester’s Whitworth Museum has been transformed, both physically and in terms of its relationship with its audience, winning the Art Fund’s Museum of the Year award in the process. Eliza Williams talks to the museum’s Director, Maria Balshaw, about managing this decade of change, how she has reconfigured the Whitworth to open it up to its surroundings and to communities both in Manchester and abroad, and what it means for a museum to go from ivory tower to ‘social space’
If you found Bolt’s previous appearances in Virgin Media ads cheesy, you might be pleasantly surprised by this latest ad.
Artist Tim A Shaw and curator Niamh White have teamed up with leading artists, designers and photographers to transform a secure psychiatric unit in south London. We spoke to White and Shaw about the project and the impact it’s had on staff, patients and visitors
At Somerset House, a new exhibition of work that takes influence from the legendary film director brings together all the elements that make up a Stanley Kubrick film – from themes of violence and discovery, to vivid imagery, set design and soundtracks.
Documentary photographer Edward Thompson explores the paranormal, the adverse effects of pollution, radioactivity, outer space and more, all using the last of Kodak’s Aerochrome Infrared film.
We’ve been picking our favourites from entries to this year’s D&AD New Blood Awards. Here, we select some outstanding work from the graphic design, branding, illustration and typography categories
Fresh graduate Alec Mezzetti uses graphic design to comment on the housing crisis. Here he discusses his investigative approach to design.
Mar Dixon has been at the forefront of museums’ engagement with social media. She tells Mark Sinclair about how museums can use such platforms to broaden audiences, learn from their peers and excite people about culture
The New York Times won big in the recent Cannes Lions festival for its experiments with virtual reality. We talk to Patrick Milling Smith, co-founder of the production company behind the works, about how he envisions the future of VR.
Since the Brexit result, we’ve had much handwringing from the creative community. But in the face of Leave’s decades-long anti-EU campaign and the huge disillusionment felt by so many, it would have taken more than a few posters to change minds