A unity of spirit: Willem Sandberg at the De La Warr Pavilion
With economy and warmth, Willem Sandberg brought the visual identity of the Stedelijk Museum to life in the 1950s, as a new must-see exhibition proves
With economy and warmth, Willem Sandberg brought the visual identity of the Stedelijk Museum to life in the 1950s, as a new must-see exhibition proves
A new project from branding and digital agency TEMPLO and the Saturday Club Trust encourages people in Britain to express their cultural diversity by combining the Union flag with flags from other nations
NYC & Company – the official tourism and marketing organisation for New York – has a launched a new visual identity, with custom typefaces, 250 icons and an updated website with over 100 pieces of video content. Creative director Emily Lessard talks us through the project
A performance of Philip Glass’s Heroes Symphony accompanied by a sonic laser performance by light artist Chris Levine will take place at midnight on Saturday
To coincide with the opening of its new building, Tate invited design studios from around the world to pitch for a possible identity redesign. North, however, argued that the exisiting identity could still do the job – all it needed was a ‘deep clean’ and some clarity about its usage. North’s Sean Perkins and team explain why, sometimes, the best solution is to stick with what works
Designer Jon Rowlandson had always dreamed of creating the livery for a Formula One team – then one day he got the chance to. Here, he explains how hard work, a passion for the sport – plus a bit of good timing – led him to design the look of the Haas F1 team.
Some people have an impression that Cannes Lions is all about rosé and pool parties. But, as I regularly tell my colleagues who aren’t going this year, it’s in fact about learning. With that in mind, here’s our pick of 15 talks you shouldn’t miss.
With work by local artists, illustrators and designers, Carnaby Street store We Built This City offers a welcome alternative to traditional souvenir shop tat. We spoke to founder Alice Mayor about launching the business and introducing a new audience to London’s creative scene
What do we really mean when we talk about creative ‘culture’? In this, the first of a regular column, managing director of the Berlin School of Creative Leadership Jamshid Alamuti wonders if it’s not just another buzzword
We defy even the hardest of hearts not to have a little sniffle at this new ad
Tate Modern’s long anticipated Switch House extension opens to the public this weekend. Alongside new exhibition spaces, the building features two digital installations created by Labs at Framestore. We spoke to Tate’s Susan Doyon and Framestore’s Tom Schwarz about the installations and how Tate Modern is using digital technology to engage with visitors
Louise Downe, Head of Design of the Government Digital Service is one of our Creative Leaders 50. Here she discusses her role in the GDS’ mission of ‘transforming the relationship between citizen and state’ with good design.