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Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
Set in Hollywood in the 1950s, the Coen brothers’ new film Hail, Caesar! is a visual treat, with lavish sets and handcrafted designs throughout. We spoke to production designer Jess Gonchor about recreating cinema’s golden age, embracing old-school techniques and collaborating with the Coens
Tomorrow is the Sydney Gay and Lesbian Mardi Gras Parade, and as part of its sponsorship for the event, ANZ has transformed an entire bank branch on Oxford Street in the city into a baroque-inspired GAYNZ.
Fancy getting your hands on an original artwork by one of the best contemporary graphic artists around? BBH and Christie’s are holding an auction to raise money for the charity Refuge next Thursday, and on offer are outstanding works from the likes of Anthony Burrill, Morag Myerscough, David Shillinglaw, Camille Walala, and more.
Last night, just as World Book Day was coming to a close (yes yes, your child looked adorable), the winners of the third annual Academy of Book Cover Designers (ABCD) Awards were announced at a ceremony in a bar beneath the streets of Hoxton Square. Now in its third year, the remit of the Academy is simple: to celebrate the ten best covers of the year. Last night, these were chosen by people who understand book cover design: book cover designers.
Two years ago, Always questioned society’s use of the phrase ‘like a girl’. Now, in another compelling mini documentary-cum-ad, the brand addresses the effect that gendered emojis have on girls and young women.
New York branding agency Gretel has created the visual identity for Vice’s new TV channel, Viceland, which launched in the US on Monday. With a black-and-white colour palette and just one typeface (Helvetica bold), it’s a surprisingly pared down look…
How do you make your team more creative and get more ideas out of them, faster? Samuel Palin of writing agency Reed Words distills five things that psychologists and economists believe make for the most productive creative workplaces.
Aaron Yeboah Jr. is on a mission to put new African photography in the spotlight. Just three issues in, he has positioned his magazine African Lens in stark opposition to the Western media’s more familiar portrayal of the continent.
Since 2007, Hilary Cottam’s Participle project has focused on developing alternative models for public services, from a social network for older people to a new membership service for jobseekers. Here, Cottam explains how design thinking is key to devising a welfare system fit for the 21st century
For Ben Wheatley’s new film, High-Rise, graphic artists Michael Eaton and Felicity Hickson designed a wide range of props, from books and cigarette packs to the entire contents of a supermarket. Here, they reveal how they worked with production designer Mark Tildesley to help cement the look and feel of 1970s apartment living – with a dystopian edge.
For the past 10 years, StudioSmall has worked with fashion designer Margaret Howell, creating the brand’s calendars, communications, exhibition design, show invitations and in-store graphics. Creative director David Hitner talks us through their collaboration