Geico releases clever follow up to Unskippable ads
Geico has returned with another set up of witty commercials that playfully subvert the ads that appear before YouTube films…
Geico has returned with another set up of witty commercials that playfully subvert the ads that appear before YouTube films…
The Revenant is an at-times gruelling but always compelling filmmaking experience. It is also that rariety in cinema today – a movie where the visual effects do not overwhelm the storytelling, but enhance it instead. We asked VFX creative director Jordi Bares to explain the craft behind the film’s magic
In a bid to move the world of property development away from glossy brochures and dodgy CG renders, Uniform has created an interactive experience for the Greenwich Peninsula regeneration project which offers up an animated, paper-like vision of the entire site.
Divorce may seem an unlikely subject for an ad campaign, though this series of Ford ads from Denmark makes for compelling viewing, and does an excellent marketing job too.
In his second CR column on new identity work, creative director James Greenfield suggests that the mainstream media’s knee-jerk and ill-informed reaction to logo design is an insult to one of our strongest creative exports. Graphic design needs to fight back.
Or should that now be “Love and Cake” on HER hands? Photographer Edward Bishop has documented over 500 sets of knuckle tattoos. We spoke to him about the project
How do you write a hit TV show? We ask Sharon Horgan – co-writer and star of Catastrophe, Pulling and creator of the forthcoming HBO comedy-drama Divorce – about getting started, working as a team, and coping when things don’t quite work out as planned…
In collaboration with Ikon Gallery, Plinth is a new pop-up space set over four floors of a central London Georgian house. Inside is a range of limited editions and artist-designed products from the likes of David Shrigley, Julian Opie and Cornelia Parker
The new edition of A Smile in the Mind sets out to show the full range and power of wit as a creative tool. Here, co-authors Greg Quinton and Nick Asbury pick out some contrasting examples which suggest that, today, witty thinking is more prevalent in design than ever.
Massive Attack’s new video, for track Voodoo In My Blood, stars Rosamund Pike, who experiences a strange and terrifying encounter in the Joe Strummer subway in London…
Lava Lab, an innovation arm of design agency Lava, has been creating interactive apps and open-sourced tools to help Amsterdam’s museums and galleries engage with younger visitors. We spoke to co-founder Cecilia Martin and senior interaction designer and researcher Klasien van de Zandschulp about their work
Nadav Kander has shot a striking set of portraits for a new Samaritans campaign, which places emphasis on how difficult it can be to talk about our feelings.