Wes Anderson is back with another stylised masterpiece, this time set against the backdrop of the 1950s space race. We speak to the behind-the-scenes creative team about how they helped bring the film to life
The social campaign takes a tongue-in-cheek approach, not only showing off Google Pixel’s latest features but also throwing shade at the brand’s main competitor
Exclusive insights from TikTok’s own research show how brands can produce the most effective creative for the platform
CR hears from the design and ad worlds about whether brands have improved in their approach to Pride, plus how the creative industry as a whole can be a force for change
Designed by 5.5, the branding embodies the youthful energy and quality experience at the heart of the Lyon hostel, including a custom font inspired by pillows
Photographer Jesse Glazzard has created a large body of commercial and editorial work, as well as his ongoing personal project Testo Diary, where he explores his experiences and relationships as a trans man
We speak to the Wieden + Kennedy CCO and advertising legend about how the industry that she fell into has changed over the last 40 years, and why she believes hierarchy is the enemy of creativity
Photographers Andrea Orejarena and Caleb Stein examine the soft boundary between fact and fiction in contemporary life
Ad agencies are increasingly producing branding and identity work for clients, alongside campaigns. But do they really understand the design process? Find out in the latest episode of Creativity Sucks!
Collaboration between external and in-house agencies requires them to see each other as partners, but healthy competition also has its benefits
Nike’s 2018 campaign is still lauded for its razor-sharp representation of Black British culture. But brands who continue to piggyback of its success are missing an opportunity to genuinely connect with communities, says Damola Oladapo
Child Poverty Action Group’s campaign by Creature portrays a full lunchbox as a distant dream for children living in poverty
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music