Ezekiel 36:36
The CR Photography Annual 2014: A documentary series on Lloyd Aereo Boliviano (also known as LAB Airlines) by Nick Ballon, as chosen by Gemma Fletcher, Getty Images
Finca La Prospera
The CR Photography Annual 2014: Sophie Ebrard’s intimate series Finca La Prospera, capturing a Buenos Aires family. As chosen by Jess Crombie, Save the Children
Time Dilation
The CR Photography Annual 2014: Time Dilation by Andrzej Dragan, from a short film about the way in which gravity distorts time. As chosen by James Fairbank, Rapha
Pawel Fabjanski
The CR Photography Annual 2014: An Untitled series of images for an artbook on the Polish Film School by Pawel Fabjanski. As chosen by Sarah Douglas, Wallpaper*
All you need to know
All type, one weight and one point size – but this minimal poser design for the annual Pentagram LEcture by the late Alan Fletcher is full of information. By Paul Belford
Brothers and Sisters
A conference at Manchester’s People’s History Museum dedicated to the art of printed protest reveals fascinating messages from British politics. Craig Oldham reports
Put a stop to it
The NSPCC recently retired its full stop but for many brands punctuation has a subtlety that can still wield some impact, says Michael Evamy
Surgical spirit: the impossibility of sick days for the freelancer
When illness blights the home of the freelancer, sick days just aren’t an option – you have some new clients on the sofa. By Daniel Benneworth-Gray
The typecast artist
After years of neglect, the work of French type designer and adman Roger Excoffon is enjoying renewed interest. Jean Grogan reports from a conference about his work
Ads of the Week
Our collection of great new ads this week includes work for Old Spice, BMW, Greene King IPA, and the new Hobbit film. First up though is a cheeky little Christmas film for Maille gourmet mustard…
A type of blue – the typographic covers of Blue Note
Blue Note record sleeves have provided jazz with many of its most enduring photographic images. As it turns 75, a new history of the label shows that it was no slouch when it came to covering its music in wild typographic expression, courtesy of graphic designer, Reid Miles