Daniel Wolfe has been off directing feature films lately, with his first feature Catch Me Daddy premiering at the Cannes Film Festival this year. But Wolfe originally cut his teeth in music videos for the likes of Plan B and he returns to the genre triumphantly this week, with a compelling short film for Paolo Nutini’s new track Iron Sky.
Incase you still haven’t got your hands on the August issue of Creative Review – a CGI special – and you fancy some extra videos and exclusive images on the side, remember you can also get it on the iPad. You’ll find all the print mag content and monograph, plus a whole lot more in Hi Res, our showcase gallery section, and CRTV, with some amazing moving image work, from interviews to animations to short documentaries and more…
This weekend, Manchester creative agency Music is hosting an exhibition showcasing visual responses to a short story by copywriter Louie Zeegen. Responses will be created during a two-day workshop held as part of a new scheme open to students and graduates.
Designer Michael Johnson of johnson banks, looks back at his recent visit to India, where he found a design scene that is beginning to reflect the country’s unique and rich visual language…
Swedish cab firm Taxi Stockholm has launched Taxi Trails, a new website for tourists that uses data from millions of taxi journeys to highlight the top destinations in the city.
Glasgow studio Graphical House has designed visual identities for two cultural initiatives launched to commemmorate the Commonwealth Games – one celebrating Scottish manufacturing and design, and another reflecting on Glasgow’s relationship with the slave trade…
Commissioned by UNKLE’s James Lavelle for Meltdown festival, Warren Du Preez and Nick Thornton Jones’s three-and-a-half-minute film Worship pushed VFX house Glassworks to the very limit. Rachael Steven talks to the creators of an extraordinary piece of work
In photographer Giles Revell’s hands, hi-tech processes re-present the most traditional of artistic subjects in unexpected ways
Around seven years ago, Ben Koppel was reading an issue of Creative Review, when he came across an ad for Maxon’s Cinema 4D programme. He downloaded a demo, studied the craft and a few months later, left his job as a creative artworker in DDB London’s production
Disobedient Objects is a new kind of exhibition for the V&A, featuring not the finely crafted commissions of the wealthy but objects that have been used by activists, campaigners and protest groups. Catherine Flood, one of the curators, talks to Mark Sinclair about bringing together 100 examples of art and design that have worked towards generating social change
Tate Britain has sought out the weird and wonderful for its celebration of three hundred years of British folk art
One of the most respected and trusted awards for the advertising and design industries are back for 2025. Run, don’t walk to get your entries in before the Early Bird Deadline on 25 October
Growth is a dream for many businesses, but it comes with challenges. Daisy Crowder, brand and marketing director at design recruitment agency Craft, offers advice on how to navigate the change and keep staff on side
The Danish luxury fashion label has spearheaded the characterful evolution of Scandi style. Here, chief brand officer Priya Matadeen discusses its approach to collabs, the pressures of being a responsible brand, and how Ganni Girls grew from a hashtag to a badge of belonging
Brands are saying sorry at a more rapid rate than ever. CR’s advertising columnist Ben Kay delves into why sorry is no longer the hardest word and whether this is an effective strategy for winning audiences
By loosening its approach to advertising, and engaging with its audience directly, the drinks brand has transformed with the times and won a whole new set of fans
Kelly Grovier’s new book charts the artist’s persistent dialogue with classic and contemporary art
We speak to Lego’s VP of global brand development Alero Akuya about the brand’s rare ability to straddle the physical and virtual worlds with ease – whether through its immersive new art exhibition in Paris or collaborations with Epic Games and Nike
The Pentagram partner has created the titles for the acclaimed new Netflix show, which reimagines the Greek myths in a contemporary setting
A new book from Reel Art Press collates the first comprehensive history of film posters. We explore why they remain an underappreciated area of cultural design
Mark Sinclair talks to the artist and designer about his new book, Lost Ordinary Magic, and the importance of recognising the power of simplicity and the everyday wonders that surround us
We explore how the 90s, an era the UK looks favourably upon for its thriving culture, are continually inspiring a stagnated creative industry
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music